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A movie based on what was to be the third lunar-landing mission. This film shows the trials and tribulations of the Apollo 13 crew, mission control, and families after a near-fatal accident cripples the space vehicle. A mission that couldn't get TV airtime because space flights had become routine to the American public suddenly grabbed the national spotlight. This is a tale of averted tragedy, heroism and shows a testament to the creativity of the scientists who ran the early space missions
director=Ron Howard
140 Min
genre=History

This movie is currently on Netflix, reviewers only gave it 2 stars, I can't understand it, I think Apollo 13 is a wonderful movie. Free Watch Apollo 13 juillet. I'm related to william anders, and this is amazing to watch. Watch apollo 13 movie free. Watch free apollo 13. Free watch apollo 13 movie. Whos here after watching Jeopardy. Free watch apollo 13 tv. Free Watch Apollo 13 juin. Watch apollo 13 online free hd. Watch apollo 13 online free 123. Written By William Broyles, Jr. (screenplay), Al Reinert (screenplay), Jim Lovell and Jeffrey Kluger (book "Lost Moon: The Perilous Voyage of Apollo 13") Release Date 30 June 1995 (USA) Rating Budget $62, 000, 000 (estimated) Gross $334, 100, 000 (worldwide) Apollo 13 is a 1995 American docudrama film directed by Ron Howard. The film stars Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise, Kathleen Quinlan and Ed Harris. The screenplay by William Broyles, Jr. and Al Reinert, that dramatizes the 1970 Apollo 13 lunar mission, is an adaptation of the book Lost Moon: The Perilous Voyage of Apollo 13 by astronaut Jim Lovell and Jeffrey Kluger. The film depicts astronauts Lovell, Jack Swigert and Fred Haise aboard Apollo 13 for America's third Moon landing mission. En route, an on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA's flight controllers to abort the Moon landing, and turning the mission into a struggle to get the three men home safely. Howard went to great lengths to create a technically accurate movie, employing NASA's technical assistance in astronaut and flight controller training for his cast, and even obtaining permission to film scenes aboard a reduced gravity aircraft for realistic depiction of the "weightlessness" experienced by the astronauts in space. Released in the United States on June 30, 1995, Apollo 13 garnered critical acclaim and was nominated for many awards, with nine Academy Awards including Best Picture; it won for Best Film Editing and Best Sound. [1] In total, the film grossed over $355 million worldwide during its theatrical releases. Plot Edit On July 20, 1969, veteran astronaut Jim Lovell ( Tom Hanks) hosts a party for other astronauts and their families, who watch on television as their colleague Neil Armstrong takes his first steps on the Moon during the Apollo 11 mission. Lovell, who orbited the Moon on Apollo 8, tells his wife Marilyn ( Kathleen Quinlan) that he intends to return, to walk on its surface. On October 30, while giving a VIP tour of NASA's Vehicle Assembly Building, Lovell is informed by his boss Deke Slayton that he and his crew will fly the Apollo 13 mission instead of Apollo 14. Lovell, Ken Mattingly ( Gary Sinise), and Fred Haise ( Bill Paxton) begin training for their new mission. Days before launch, it is discovered that Mattingly was exposed to measles, and the flight surgeon demands his replacement with Mattingly's backup, Jack Swigert ( Kevin Bacon), as a safety precaution. Lovell resists breaking up his team, but relents after Slayton gives him the choice of either accepting the switch, or else being bumped to a later mission. As the launch date approaches, Marilyn's fears for her husband's safety manifest in nightmares, but she goes to Cape Kennedy the night before launch, to see him off despite her misgivings. On April 11, 1970, Apollo 13 Flight Director Gene Kranz ( Ed Harris) gives the go-ahead from Houston's Mission Control Center for launch. As the Saturn V rocket climbs into the sky, an engine on the second stage cuts off prematurely, but the craft successfully reaches Earth orbit. After the third stage fires, sending Apollo 13 on a trajectory to the Moon, Swigert docks the Command/Service Module Odyssey with the Lunar Module Aquarius, and pulls it away from the spent stage. Three days into the mission, the crew send a live television transmission from Odyssey, but the networks, believing the public now regards lunar missions as routine, decline to carry the broadcast live. Swigert is told to perform a standard housekeeping procedure of stirring the two liquid oxygen tanks in the Service Module. When he flips the switch, one tank explodes, emptying its contents into space and sending the craft tumbling. The other tank is soon found to be leaking, prompting Mission Control to abort the Moon landing, and forcing Lovell and Haise to hurriedly power up Aquarius as a "lifeboat" for the return home, while Swigert shuts down Odyssey before its battery power runs out. On Earth, Kranz rallies his team to do what is necessary to get the astronauts home safely, declaring "failure is not an option. " Controller John Aaron recruits Mattingly to help him figure out how to restart Odyssey for the final return to Earth. As Swigert and Haise watch the Moon passing beneath them, Lovell laments his lost chance of walking on its surface, then turns their attention to the task of getting home. With Aquarius running on minimum systems to conserve power, the crew is soon subjected to freezing conditions. Swigert suspects Mission Control is unable to get them home and is withholding this from them. In a fit of rage, Haise blames Swigert's inexperience for the accident; the ensuing argument is quickly squelched by Lovell. When the carbon dioxide exhaled by the astronauts reaches the Lunar Module's filter capacity and approaches dangerous levels, an engineering team quickly invents a way to make the Command Module's square filters work in the Lunar Module's round receptacles. With the guidance systems on Aquarius shut down, and despite Haise's fever and miserable living conditions, the crew succeeds in making a difficult but vital course correction by manually igniting the Lunar Module's engine. Mattingly and Aaron struggle to find a way to power up the Command Module with its limited available power, but finally succeed and transmit the procedures to Swigert, who successfully restarts Odyssey by transmitting extra power from Aquarius. When the Service Module is jettisoned, the crew finally see the extent of the damage and prepare for re-entry, unsure whether Odyssey' s heat shield is intact. If it is not, they will burn up. They release Aquarius and re-enter the Earth's atmosphere in Odyssey. After a tense, longer than normal period of radio silence due to ionization blackout, the astronauts report all is well and splash down in the Pacific Ocean. The three men are brought aboard the aircraft carrier USS Iwo Jima. As the astronauts are given a hero's welcome on deck, Lovell's narration describes the events that follow their return from space—including the investigation into the explosion, and the subsequent careers and lives of Haise, Swigert, Mattingly and Kranz—and ends wondering when mankind will return to the Moon. Videos Edit Cast Edit Top to bottom: Hanks, Bacon and Paxton, who portray astronauts Lovell, Swigert and Haise respectively. Tom Hanks as Apollo 13 Commander Jim Lovell. Jim Lovell stated that before the book was even written, the rights were being shopped to potential buyers [2] and that his first reaction was that actor Kevin Costner would be a good choice to play him. [4] However, by the time Howard acquired the director's position, Costner's name never came up in serious discussion, and Hanks had already been interested in doing a film based on Apollo 13. When Hanks' representative informed him that there was a script being passed around, he had the script sent to him. [2] John Travolta was initially offered the role of Lovell, but declined. [5] Gary Sinise as Apollo 13 prime Command Module Pilot (CMP) Ken Mattingly. Sinise was invited by Howard to read for any of the characters, and chose Mattingly. [2] Kevin Bacon as Apollo 13 backup CMP Jack Swigert. Bill Paxton as Apollo 13 Lunar Module Pilot Fred Haise. Ed Harris as White team Flight Director Gene Kranz. Harris described the film as "cramming for a final exam". Harris described Gene Kranz as "corny and like a dinosaur", but was respected by the crew. [2] Kathleen Quinlan as Lovell's wife Marilyn. Chris Ellis as Director of Flight Crew Operations Deke Slayton. Joe Spano as "NASA Director", a composite character based loosely on Chris Kraft. Marc McClure as Black team Flight Director Glynn Lunney. Clint Howard as White team EECOM (Electrical, Environmental and Consumables Manager) Sy Liebergot. Ray Mckinnon as White team FIDO (Flight Dyamics Officer). Loren Dean as EECOM John Aaron. Xander Berkeley as "Henry Hurt", a fictional NASA Office of Public Affairs staff member. [6] David Andrews as Apollo 12 Commander Pete Conrad Christian Clemenson as Flight surgeon Dr. Charles Berry Ben Marley as Apollo 13 backup Commander John Young Brett Cullen as CAPCOM Bill Pogue Tracy Reiner as Haise's then-wife Mary Mary Kate Schellhardt as Lovell's older daughter Barbara. Max Elliott Slade as Lovell's older son James (Jay), who attended military school at the time of the flight. Emily Ann Lloyd as Lovell's younger daughter Susan. Miko Hughes as Lovell's younger son Jeffrey. Thom Barry as an orderly at Blanch's retirement home. Chauntal Lewis as Roxanne Strybos (Susan's Friend) (uncredited) The real Jim Lovell appears as captain of the recovery ship USS Iwo Jima. Horror film director Roger Corman, a mentor of Howard, appears as a congressman being given a VIP tour by Lovell of the Saturn V Vehicle Assembly Building, as it had become something of a tradition for Corman to make a cameo appearance in his proteges' films. [7] The real Marilyn Lovell appeared among the spectators during the launch sequence. CBS News anchor Walter Cronkite appears in archive news footage and can be heard in newly recorded announcements, some of which he edited himself to sound more authentic. In addition to his brother, Clint Howard, several other members of Ron Howard's family appear in the movie: Rance Howard (his father) appears as the Lovell family minister. Jean Speegle Howard (his mother) appears as Lovell's mother Blanch. Cheryl Howard (his wife) and Bryce Dallas Howard (his daughter) appear as uncredited background performers in the scene where the astronauts wave goodbye to their families. Brad Pitt was offered a role in the film, but turned it down to star in Se7en. [9] Reportedly, the real Pete Conrad expressed interest in appearing in the film. Jeffrey Kluger appears as a television reporter. Production Edit Pre-production and props Edit While planning the film, director Ron Howard decided that every shot of the film would be original and that no mission footage would be used. [10] The spacecraft interiors were constructed by the Kansas Cosmosphere and Space Center's Space Works, who also restored the Apollo 13 Command Module. Two individual Lunar Modules and two Command Modules were constructed for filming. While each was a replica, composed of some of the original Apollo materials, they were built so that different sections were removable, which enabled filming to take place inside the capsules. Space Works also built modified Command and Lunar Modules for filming inside a Boeing KC-135 reduced gravity aircraft, and the pressure suits worn by the actors, which are exact reproductions of those worn by the Apollo astronauts, right down to the detail of being airtight. When the actors put the suits on with their helmets locked in place, air was pumped into the suits to cool them down and allow them to breathe, exactly as in launch preparations for the real Apollo missions. [11] The real Mission Control consist of two control rooms located on the second and third floors of Building 30 at the Johnson Space Center in Houston, Texas. NASA offered the use of the control room for filming but Howard declined, opting instead to make his own replica from scratch. [10] Production designer Michael Corenblith and set decorator Merideth Boswell were in charge of the construction of the Mission Control set at Universal Studios. The set was equipped with giant rear-screen projection capabilities and a complex set of computers with individual video feeds to all the flight controller stations. The actors playing the flight controllers were able to communicate with each other on a private audio loop. [11] The Mission Control room built for the film was on the ground floor. [10] One NASA employee who was a consultant for the film said that the set was so realistic that he would leave at the end of the day and look for the elevator before remembering he was not in Mission Control. By the time the film was made, the USS Iwo Jima had been scrapped, so her sister ship, the USS New Orleans, was used as the recovery ship instead. [10] "For actors, being able to actually shoot in zero gravity as opposed to being in incredibly painful and uncomfortable harnesses for special effects shots was all the difference between what would have been a horrible moviemaking experience as opposed to the completely glorious one that it actually was. " —Tom Hanks [11] Howard anticipated difficulty in portraying weightlessness in a realistic manner. He discussed this with Steven Spielberg, who suggested using a KC-135 airplane, which can be flown in such a way as to create about 23 seconds of weightlessness, a method NASA has always used to train its astronauts for space flight. Howard obtained NASA's permission and assistance in filming in the realistic conditions aboard multiple KC-135 flights. [12] Cast training and filming Edit To prepare for their roles in the film, Hanks, Paxton, and Bacon all attended the U. S. Space Camp in Huntsville, Alabama. While there, astronauts Jim Lovell and David Scott, commander of Apollo 15, did actual training exercises with the actors inside a simulated Command Module and Lunar Module. The actors were also taught about each of the 500 buttons, toggles, and switches used to operate the spacecraft. The actors then traveled to Johnson Space Center in Houston where they flew in NASA's KC-135 reduced gravity aircraft to simulate weightlessness in outer space. While in the KC-135, filming took place in bursts of 25 seconds, the length of each period of weightless that the plane could produce. The filmmakers eventually flew 612 parabolas which added up to a total of three hours and 54 minutes of weightlessness. Parts of the Command Module, Lunar Module and the tunnel that connected them were built by production designer Michael Corenblith, art directors David J. Bomba and Bruce Alan Miller and their crew to fit inside the KC-135. Filming in such an environment, while never done before for a film, was a tremendous time saver. In the KC-135, the actors moved wherever they wanted, surrounded by floating props; the camera and cameraman were weightless so filming could take place on any axis from which a shot could be set up. In Los Angeles, Ed Harris and all the actors portraying flight controllers enrolled in a Flight Controller School led by Gerry Griffin, an Apollo 13 flight director, and flight controller Jerry Bostick. The actors studied audiotapes from the mission, reviewed hundreds of pages of NASA transcripts and attended a crash course in physics. [10] [11] Astronaut Dave Scott was impressed with their efforts, stating that each actor was determined to make every scene technically correct, word for word. [2] Soundtrack Edit Apollo 13 (film) {{{artist}}} Professional ratings Review scores Source Allmusic [13] [14] SoundtrackNet [15] Tracksounds [16] The score to Apollo 13 was composed and conducted by James Horner. The soundtrack was released in 1995 by MCA Records and has seven tracks of score, eight period songs used in the film, and seven tracks of dialogue by the actors at a running time of nearly seventy-three minutes. The music also features solos by vocalist Annie Lennox and Tim Morrison on the trumpet. The score was a critical success and garnered Horner an Academy Award nomination for Best Original Score. [17] Apollo 13: Original Motion Picture Soundtrack No. Title Length 1. "Main Title" 1:32 2. "One Small Step" 0:42 3. "Night Train" (performed by James Brown) 3:27 4. "Groovin'" (performed by The Young Rascals) 2:26 5. "Somebody to Love" (performed by Jefferson Airplane) 2:55 6. "I Can See for Miles" (performed by The Who) 4:09 7. "Purple Haze" (performed by Jimi Hendrix) 2:48 8. "Launch Control" 3:28 9. "All Systems Go/The Launch" 6:39 10. "Welcome to Apollo 13" 0:38 11. "Spirit in the Sky" (performed by Norman Greenbaum) 3:50 12. "House Cleaning/Houston, We Have a Problem" 1:34 13. "Master Alarm" 2:54 14. "What's Going On? " 0:34 15. "Into the L. E. M. " 3:43 16. "Out of Time/Shut Her Down" 2:20 17. "The Darkside of the Moon" (performed by Annie Lennox) 5:09 18. "Failure is Not an Option" 1:18 19. "Honky Tonkin'" (performed by Hank Williams) 2:42 20. "Blue Moon" (performed by The Mavericks) 21. "Waiting for Disaster/A Privilege" 0:43 22. "Re-Entry & Splashdown" 9:05 23. "End Titles" (performed by Annie Lennox) 5:34 Release Edit The film was released on 30 June 1995 in North America and on 22 September 1995 in the UK. In 2002 the film was re-released in IMAX. It was the first film to be digitally remastered using IMAX DMR technology. [18] Box-office performance Edit The film was a box-office success, gaining $355, 237, 933 worldwide. [19] The film's widest release was 2, 347 theaters. [19] The film's opening weekend and the latter two weeks placed it at #1 with a US gross of $25, 353, 380, which made up 14. 7% of the total US gross. [19] Apollo 13 box office revenue Source Gross ( USD)% Total All time rank (unadjusted) US $173, 837, 933 [19] 48. 9% 126 [19] Non-US $181, 400, 000 [19] 51. 1% N/A Worldwide $355, 237, 933 [19] 100. 0% 140 [19] Reception Edit Apollo 13 received very positive reviews from film critics. Review aggregator Rotten Tomatoes reports that the film has an overall approval rating of 97% based on 51 reviews, with a weighted average score of 8/10. [20] At Metacritic, which assigns a normalized 0–100 rating to reviews from mainstream critics, calculated an average score of 77 based on 22 reviews. [21] Roger Ebert of the Chicago Sun-Times praised the film in his review saying: "A powerful story, one of the year's best films, told with great clarity and remarkable technical detail, and acted without pumped-up histrionics. " [22] Richard Corliss from Time Magazine highly praised the film, saying: "From lift-off to splashdown, Apollo 13 gives one hell of a ride. " [23] Edward Guthmann of San Francisco Chronicle gave a mixed review and wrote: "I just wish that Apollo 13 worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide. " [24] Peter Travers from Rolling Stone Magazine praised the film and wrote: "Howard lays off the manipulation to tell the true story of the near-fatal 1970 Apollo 13 mission in painstaking and lively detail. It's easily Howard's best film. " [25] Janet Maslin made the film an NYT Critics' Pick, calling it an “absolutely thrilling” film that “unfolds with perfect immediacy, drawing viewers into the nail-biting suspense of a spellbinding true story”. According to Maslin, “like "Quiz Show, " "Apollo 13" beautifully evokes recent history in ways that resonate strongly today. Cleverly nostalgic in its visual style (Rita Ryack's costumes are especially right), it harks back to movie making without phony heroics and to the strong spirit of community that enveloped the astronauts and their families. Amazingly, this film manages to seem refreshingly honest while still conforming to the three-act dramatic format of a standard Hollywood hit. It is far and away the best thing Mr. Howard has done (and " Far and Away " was one of the other kind). ” [26] Ron Howard stated that, after the first test preview of the film, one of the comment cards indicated "total disdain"; the audience member had written that it was a "typical Hollywood" ending and that the crew would never have survived. [27] Marilyn Lovell praised Quinlan's portrayal of her, stating she felt she could feel what Quinlan's character was going through, and remembered how she felt in her mind. [2] Home media Edit A 10th-anniversary DVD of the film was released in 2005; it included both the theatrical version and the IMAX version, along with several extras. [28] The IMAX version has a 1. 66:1 aspect ratio. [29] In 2006, Apollo 13 was released on HD DVD; on 13 April 2010, it was released on Blu-ray disc, on the 40th anniversary of the Apollo 13 accident (Central Standard Time). [28] Accolades Edit Year Award Category Recipient Result Ref. 1996 Academy Awards (1996) Best Film Editing Mike Hill and Daniel Hanley Won [1] Best Sound Rick Dior, Steve Pederson, Scott Millan, David MacMillan Best Actor in a Supporting Role Ed Harris (lost to Kevin Spacey in Usual Suspects) Nominated Best Actress in a Supporting Role Kathleen Quinlan (lost to Mira Sorvino in Mighty Aphrodite) Best Art Direction Michael Corenblith (art director), Merideth Boswell (set decorator) (lost to Restoration) Best Original Dramatic Score James Horner (lost to Il Postino) Best Picture Brian Grazer (lost to Braveheart) Best Visual Effects Robert Legato, Michael Kanfer, Leslie Ekker, Matt Sweeney (lost to Babe) Best Adapted Screenplay William Broyles Jr., Al Reinert (lost to Sense & Sensibility) American Cinema Editors (Eddies) Best Edited Feature Film Mike Hill, Daniel P. Hanley American Society of Cinematographers Outstanding Achievement in Cinematography in Theatrical Releases Dean Cundey BAFTA Film Awards Best Production Design Michael Corenblith Outstanding Achievement in Special Visual Effects Robert Legato, Michael Kanfer, Matt Sweeney, Leslie Ekker Best Cinematography Best Editing Mike Hill, Daniel Hanley David MacMillan, Rick Dior, Scott Millan, Steve Pederson Casting Society of America (Artios) Best Casting for Feature Film, Drama Jane Jenkins, Janet Hirshenson Chicago Film Critics Association Awards Apollo 13 Directors Guild of America Outstanding Directorial Achievement in Motion Pictures Ron Howard, Carl Clifford, Aldric La'Auli Porter, Jane Paul Golden Globe Awards Best Supporting Actor – Motion Picture Ed Harris as Gene Kranz Best Supporting Actress – Motion Picture Kathleen Quinlan as Marilyn Lovell Best Director – Motion Picture Ron Howard Best Motion Picture – Drama Heartland Film Festival Studio Crystal Heart Award Jeffrey Kluger Hugo Awards Best Dramatic Presentation MTV Movie Awards Best Male Performance Tom Hanks as Jim Lovell Best Movie PGA Golden Laurel Awards Motion Picture Producer of the Year Award Brian Grazer, Todd Hallowell Saturn Awards Best Action / Adventure / Thriller Film Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Supporting Role Outstanding Performance by a Cast Kevin Bacon, Tom Hanks, Ed Harris, Bill Paxton, Kathleen Quinlan and Gary Sinise Space Foundation's Douglas S. Morrow Public Outreach Award Best Family Feature – Drama [30] Writers Guild of America Awards Best Screenplay Adapted from Another Medium William Broyles Jr., Al Reinert Young Artist Awards 2005 American Film Institute AFI's 100 Years... 100 Movie Quotes "Houston, we have a problem. " (#50) [31] 2006 AFI's 100 Years... 100 Cheers Apollo 13 (#12) Technical and historical accuracy Edit The dialogue between ground control and the astronauts was taken verbatim from transcripts and recordings, with the exception of one of the taglines of the film, "Houston, we have a problem. " (This quote was voted #50 on the list " AFI's 100 Years... 100 Movie Quotes ". ) According to the mission transcript, the actual words uttered by Jack Swigert were "I believe we've had a problem here. " (talking over Haise, who had started "Ok, Houston"). Ground control responded by saying "This is Houston, say again please. " Jim Lovell then repeated "Ah, Houston, we've had a problem. " [32] The tagline "Failure is not an option", stated in the film by Gene Kranz, also became very popular, but was not taken from the historical transcripts. The following story relates the origin of the phrase, from an email by Apollo 13 Flight Dynamics Officer Jerry Bostick: "As far as the expression 'Failure is not an option', you are correct that Kranz never used that term. In preparation for the movie, the script writers, Al Reinart and Bill Broyles, came down to Clear Lake to interview me on 'What are the people in Mission Control really like? ' One of their questions was 'Weren't there times when everybody, or at least a few people, just panicked? ' My answer was 'No, when bad things happened, we just calmly laid out all the options, and failure was not one of them. We never panicked, and we never gave up on finding a solution. ' I immediately sensed that Bill Broyles wanted to leave and assumed that he was bored with the interview. Only months later did I learn that when they got in their car to leave, he started screaming, 'That's it! That's the tag line for the whole movie, Failure is not an option. Now we just have to figure out who to have say it. ' Of course, they gave it to the Kranz character, and the rest is history. " [33] A DVD commentary track, recorded by Jim and Marilyn Lovell and included with both the original and 10th-anniversary editions, [28] mentions several inaccuracies included in the film, all done for reasons of artistic license: "We were working and watching the controls during that time. Because we came in shallow, it took us longer coming through the atmosphere where we had ionization. And the other thing was that we were just slow in answering. " —Jim Lovell, on the real reason for the delay in replying after Apollo 13's four-minute re-entry into Earth's atmosphere [34] In the film, Mattingly plays a key role in solving a power consumption problem that Apollo 13 was faced with as it approached re-entry. Lovell points out in his commentary that Mattingly was a composite of several astronauts and engineers—including Charles Duke (whose rubella led to Mattingly's grounding)—all of whom played a role in solving that problem. When Jack Swigert is getting ready to dock with the LM, a concerned NASA technician says: "If Swigert can't dock this thing, we don't have a mission. " Lovell and Haise also seem worried. In his DVD commentary, the real Jim Lovell says that if Swigert had been unable to dock with the LM, he or Haise could have done it. He also says that Swigert was a well-trained Command Module pilot and that no one was really worried about whether he was up to the job, [34] but he admitted that it made a nice sub-plot for the film. A scene set the night before the launch, showing the astronauts' family members saying their goodbyes while separated by a road, to reduce the possibility of any last-minute transmission of disease, depicted a tradition not begun until the Space Shuttle program. The film depicts Marilyn Lovell dropping her wedding ring down a shower drain. According to Jim Lovell, this did occur, [34] but the drain trap caught the ring and his wife was able to retrieve it. Lovell has also confirmed that the scene in which his wife had a nightmare about him being "sucked through an open door of a spacecraft into outer space" also occurred, though he believes the nightmare was prompted by her seeing a scene in Marooned, a 1969 film they saw three months before Apollo 13 blasted off. [34] See also Edit From the Earth to the Moon, a documentary mini-series based around the Apollo missions. Marooned, a 1969 film directed by John Sturges, about astronauts marooned in an Apollo Command/Service Module. References Edit Template:Include-NASA ↑ 1. 0 1. 1 Academy Awards, USA: 1996. Archived from the original on 27 February 2009. Retrieved on 8 April 2009. ↑ 2. 0 2. 1 2. 2 2. 3 2. 4 2. 5 Lost Moon: The Triumph of Apollo 13. Retrieved on 1 January 2012. ↑ Lost Moon: The Triumph of Apollo 13. Retrieved on 1 January 2012. ↑ Film Casting that Might Have Been for John Travolta and Richard Gere. Retrieved on 1 January 2012. ↑ The character in the film is a composite of protocol officer Bob McMurrey, who relayed the request for permission to erect a TV tower to Marilyn Lovell, and an unnamed OPA staffer who made the request on the phone, to whom she personally denied it as Quinlan did to "Henry" in the film. "Henry" is also seen performing other OPA functions, such as conducting a press conference. Kluger, Jeffrey; Jim Lovell (July 1995). Lost Moon: The Perilous Voyage of Apollo 13, First Pocket Books printing, New York: Pocket Books, 118, 209–210, 387. ISBN 0-671-53464-5. ↑ Repertoire Of Horrors: The Films Of Roger Corman. Retrieved on 1 January 2012. ↑ Brad Pitt - A Quick Overview. Retrieved on 1 January 2012. ↑ 10. 0 10. 1 10. 2 10. 3 10. 4   Apollo 13: 2-Disc Anniversary Edition (Disc 1), Production Notes  [DVD].  Universal Studios. ↑ 11. 0 11. 1 11. 2 11. 3 Production Notes (Press Release). IMAX. Retrieved on 9 April 2009. ↑ Ron Howard Weightless Again Over Apollo 13's DGA Win. Retrieved on 16 December 2011. ↑ Apollo 13 at AllMusic ↑ Filmtracks review ↑ review ↑ Tracksounds review ↑ Apollo 13 soundtrack review at Filmtracks. Retrieved 24 February 2011. ↑ History of IMAX. Retrieved on 11 February 2011. ↑ 19. 0 19. 1 19. 2 19. 3 19. 4 19. 5 19. 6 19. 7 Apollo 13 (1995). Box Office Mojo. Retrieved on 9 April 2009. ↑ Rotten Tomatoes – Apollo 13. Rotten Tomatoes. Flixster. Archived from the original on 20 August 2010. Retrieved on 24 August 2010. ↑ Apollo 13 Reviews. Metacritic. CBS Interactive. Retrieved on 25 September 2011. ↑ " Apollo 13: Roger Ebert ", Chicago Suntimes. Retrieved on 11 April 2009. ↑ " Apollo 13:Review ", Time Magazine, 3 July 1995.   [ dead link] ↑ Guthmann, Edward. " Apollo 13 Review: Story heroic, but it just doesn't fly. ", San Francisco Chronicle. ↑ Apollo 13 Review:Rolling Stone. Rolling Stone Magazine. Retrieved on 11 April 2009. ↑ Maslin, Janet (30 June 1995). Apollo 13, a Movie for the Fourth of July. NYT Critics' Pick. The New York Times. Retrieved on 30 September 2011. ↑ Howard, Ron (8 December 2008). A conversation about the film "Frost/Nixon". Charlie Rose show. Archived from the original on 11 December 2008. Retrieved on 8 December 2008. ↑ 28. 0 28. 1 28. 2 Apollo 13 Blu Ray Release. Universal Studios. Retrieved on 29 September 2011. ↑ Apollo 13 (DVD - 2005). Lethbridge Public Library. Retrieved on 30 December 2011. ↑ Symposium Awards. National Space Symposium. Retrieved on 26 April 2009. [ dead link] ↑ 31. 0 31. 1 AFI's 100 years... 100 quotes. AFI. Archived from the original on 26 March 2009. Retrieved on 13 April 2009. ↑ Page 167 of Apollo 13's transcript on Spacelog. Retrieved on 10 June 2011. ↑ ORIGIN OF APOLLO 13 QUOTE: "FAILURE IS NOT AN OPTION. ".. Retrieved on 4 April 2010. ↑ 34. 0 34. 1 34. 2 34. 3 William, Lena (19 July 1995). In Space, No Room For Fear. Retrieved on 30 September 2011.

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Free watch apollo 13 4. Free Watch Apollo 13 mai. Free watch apollo 13 cast. Free Watch Apollo 130. He never said it. When people say the moon landings where a hoax it not only sounds crazy but it is an insult to all the people who worked so hard and even risked their lives to accomplish that feat. This movie does a good job of making you feel the danger and terror that these three astronauts went through. This movie made me look at space exploring and NASA differently. Not only were the astronauts stressed out but the people on Earth were sleep deprived and working non stop to get these guys home. Watch free online apollo 13. As the world waits helplessly, the elite staff of NASA Mission Control in Houston are desperately trying to find ways to bring the crippled ship home. The slightest error will condemn these men to death in the vast vacuum of space. Become a member of Mission Control and let flight Director, Gene Kranz, lead you on your goal to bring these three heroes safely home. In charge of your own computer console, you will have to work together and follow your leader, who lives by the simple belief that “Failure, is not an option. ” Welcome to the world of APOLLO 13: MISSION CONTROL.

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I just searched up Illuminati and this is the about the illiuminati. Free Watch apollo 11. "We've never lost an American in space. We're sure as hell not gonna lose one on my watch! Failure is not an option! " "Houston, we have a problem. " — Jim Lovell In 1970, the Apollo 13 mission was launched, headed for the moon. But this ill-fated flight would never reach its goal. Instead, its crew would have to handle another crisis — one which endangers not only the mission, but their very lives. But this 1995 movie is no sci-fi epic. Based on actual events, Apollo 13 depicts real history. When an explosion rocks the service module, the crew soon realizes that the oxygen tanks aboard the Command Module Odyssey are leaking, forcing Mission Control to abort the landing. The crew shut down Odyssey and power up the Lunar Module Aquarius (which normally could only support two men for a little over a day) to act as a lifeboat as they slingshot around the far side of the moon. Only ingenuity and the ability to keep their wits about them will allow them to get home safely... Based on Jim Lovell's book on his experience, Lost Moon. In an interesting example, he shot the book idea past publishers, publishers got excited and sent it to filmmakers who immediately started bidding on it, and then someone called Lovell and said Imagine Entertainment was going to make a movie based on it. He hadn't finished the book yet! Director Ron Howard, producer Brian Grazer, and star Tom Hanks went on to produce the HBO miniseries From the Earth to the Moon. If you watch this on DVD, Blu-Ray, or the Signature Collection Laserdisc, make sure you listen to the commentary track by the real Jim and Marilyn Lovell. Apollo 13 provides examples of:     open/close all folders      Tropes # to F  13 Is Unlucky: As noted on the main article page, NASA sparingly used 13 as a mission number since the accident. For NASA, a trope could be made for "January is Unlucky. " The final flight of Space Shuttle Orbiter Columbia, the Apollo 1 fire and the loss of Orbiter Challenger all occurred on January 16, 27, 28 in 2003, 1967 and 1986. (While the Columbia re-entry disaster did not occur until February 3, the problem that caused the disaster happened on launch. ) Ace Pilot: You have to be an ace pilot to be an astronaut, but Jim Lovell is talked about as one of the best even by other astronauts (who are more likely to praise their own skills than others'), having flown numerous successful missions for the Navy, Gemini, and Apollo 8. Ken Mattingly is also considered to be up at the top — when informed that he's working on the power-up procedures, Lovell is somewhat reassured. Activation Sequence: Near the end, as they approach Earth, Ken Mattingly in Houston is in the simulator going through power-up procedures, trying to get enough systems up to run the module through re-entry, while not burning through their remaining power. The one we actually see him go through, obviously, is the one that works as the systems each come back up and monitors come back to life. Later he walks Jack Swigert through the procedure on the Odyssey, which had been shut down following the explosion days before. Actually Pretty Funny: On day 6, a fit of cabin fever leads to the crew ripping off their bio-med sensors. While Charles Berry was exasperated to say the least, Gene Kranz was rather amused. Adaptational Attractiveness: Gary Sinise ◊ is a lot more handsome than Ken Mattingly ◊ was. Air Voyance: When Lovell takes off for Florida, his wife watches from the yard as his plane flies over the house. Justified by the plane being a white T-38 Talon, and also by the likelihood that Lovell would have set up his flight plan specifically to allow the pass. (NASA has maintained a fleet of T-38s, as chase planes and astronaut trainer/taxis, for a very long time, and the agency's fleet livery is white with sky blue pinstriping. NASA pilots often let their families know they were home by overflying their house, Air Traffic Control permitting. The more senior the pilot, the hotter the aircraft which might be available for personal taxi service, e. g at least one pilot at Dryden (Edwards AFB) often used an F-104 Starfighter for trips. ) Taken Up to Eleven in a later scene, where Lovell looks down at the Earth through a window in the lunar module, and his wife stares back up at him from her living room. Almost Out of Oxygen: Initially played deathly straight, as the Odyssey depends on the rapidly venting liquid oxygen for power as well as simple breathing. Inverted once Aquarius is online; due to multiple planned moonwalks (which would have required venting the entire LEM for each moonwalk, and repressurizing after each one as well), they have plenty of breathing oxygen, but they also have too much CO 2 in their air. They need to MacGyver a carbon dioxide filter in order to avoid Hypercapnia. And Mission Control Rejoiced: They go absolutely nuts after Lovell's answer of the hail from CAPCOM confirms that the astronauts survived reentry. Artistic License: The three astronauts remained surprisingly cool under pressure in real life (let's face it, you don't get to be an astronaut if you don't have Nerves of Steel), but the movie ramped up emotional tensions between them for dramatic effect. If you're the space-buff sort, you can read the flight's entire transcript and compare it to the film adaptation. To put it in perspective, the highlight of the astronauts' tension was Jim Lovell saying frappin' in frustration at one point. In short, the film heightens what both astronauts and engineers were already contemplating before several of the film's crises actually occurred (such as CO 2 scrubbing). A lot of the drama around Ken Mattingly in the film was contrived. In reality, he was actually at Mission Control when the incident unfolded. At the beginning of the film, the Lovell family are seen hosting a party for Apollo 11's landing. In reality, Jim Lovell was at Mission Control during the landing and moonwalk, as he was Neil Armstrong's backup for the flight. On the commentary track, Jim Lovell points out that when leaving Earth orbit, you don't aim for where the moon is at the time but where it will be by the time you arrive days later, but admits that showing the spacecraft heading towards the moon makes for a better-looking image in the film. The Saturn V rocket for Apollo 13 is shown being rolled out to the launchpad two days before the launch. It was actually rolled out in December 1969. In real life, Apollo 13's launch happened during the shift of Flight Director Milt Windler and the Maroon Team. The film depicts Gene Kranz and the White Team working that shift as a means of introducing Kranz and several other important Mission Control characters to the audience. Alan Shepard's ear condition was fully cured after 1969, the switch between the proposed crews of Apollo 13 and 14 was issued to give more time to Shepard (whose only previous flight dated back to Mercury MR-3 in 1961) and his inexperienced crew. As You Know: There's a fair amount of this to get NASA techno-speak across to a viewing audience. The emergency meeting where the Mission Control guys explain the meaning of terms they already know like "direct abort" and "free return trajectory" stands out. Badass Boast: Jim's mother, Blanche, is confident that he will get them home safely. Blanche: If they could get a washing machine to fly, my Jimmy could land it. Gene frickin ' Kranz: The character's famous line is a bit of Artistic License as the real Kranz did not say this, but let's all pretend that he did, m'kay? note  Gene: We never lost an American in space, we're sure as hell not gonna lose one on my watch! Failure is not an option! Then there was this reply by Kranz: Director: This could be the worst disaster NASA's ever experienced. Kranz: With All Due Respect, sir, I believe this is gonna be our finest hour. Badass Bookworm: It's NASA. This skill needs to be on the resume of each team member. The guy who comes up with the design of the jury-rigged CO 2 filter earns the title of "Steely-eyed missile man". John Aaron, the original "steely-eyed missile man" from Apollo 12. His role in the movie is an expanded pastiche of himself and quite a few other people, but he really was there and played a critical role in coming up with the reduced-power boot-up sequence for the CM. The Big Board: Two different boards are used for this purpose: There's the more traditional (trope-wise) big board at the front of mission control showing, at various times in the movie, plot-relevant status updates of the mission (i. e., status of the main engines, the current position of the astronauts, etc. ) After the explosion and Kranz calls a meeting in a side room, he uses a chalkboard to draw the Earth, moon, and the current position of the astronauts - for the audience, this is used to explain what is meant by "free-return trajectory" vs. "direct abort", as well as (later on) how far 45 hours would get the astronauts. (He first tried using an overhead projector, but, appropriately, it malfunctioned when he tried to use it. ) Big "YES! ": The entire world's reaction, in general, when, after more than 4 minutes of radio silence... Jim: Hello, Houston, this is Odyssey. It's good to see you again. The Grumman rep, after warning the LM was not built for making course-corrections, whoops it up, yelling "How 'about that LM, eh?! " Billions of Buttons: So many, in fact, that NASA sent Dave Scott, the commander of Apollo 15, as a button wrangler to make sure they did it right. Bittersweet Ending: Apollo 13 was called a "successful failure", in that they returned home safely, but did not land on the moon as originally intended, making Jim Lovell the only Apollo astronaut who flew to the moon twice without landing note. The mention in the end narration of Jack Swigert's untimely death from cancer in 1980 also makes the ending more bittersweet. Brick Joke: During the in-flight broadcast, Jack Swigert mentions that he forgot to file his taxes. (To which Sy Liebergot comments, " That's no joke, they'll jump on him! ". ) Later, he's informed that the president granted him an extension on his taxes, since he is "most decidedly out of the country. " Ken Mattingly gets bumped from the flight of Apollo 13 because of exposure to the measles. Later, as they're preparing to reenter the Earth's atmosphere, Mattingly takes CAPCOM. Lovell asks him, "Are the flowers blooming in Houston? " Mattingly replies, "Uh, that's a negative, Jim, I don't have the measles, " as he glares at Berry. The final narration states that Mattingly never got measles. The crew "mutiny" by ripping off their medical monitors. Guess what Haise can be seen throwing around later when the crew needs to adjust the weight on the ship? The confusion over VOX (basically, a toggled-on mic). Early on, right after the initial catastrophe, the crew gets frustrated about obvious things that Mission Control is telling them, and Mission Control breaks in to inform them that they're hearing every shout and swear. Later on, during another tense moment caused by stir-craziness (and possibly low-level CO 2 poisoning), Mission Control chimes in again, and the first thing Lovell yells is "Are we on VOX?!?! " remembering the last time. They weren't, and he immediately collects himself. The film answers the question that Lovell declines to respond to the lady reporter - how does one go potty in space. (That joke was done specifically because that is one of the most often asked questions of astronauts. ) There's a second, glossed-over reason for including that scene: note that it's Fred Haise that's using the pee tube; though not actually mentioned in the film, in real life, it was a urinary tract infection that made Haise ill during the voyage. (Not the measles, and not "the clap" as Fred jokingly suggested later in the film. ) There's actually a third reason as well. After they've abandoned Odyssey and are in the process of powering down Aquarius for the coast back to Earth, Houston informs the crew that they can't dump waste overboard any more, as the venting could potentially push them off course and force them to expend very limited consumables to correct for it. Naturally the astronauts are less than thrilled by the prospect of bags full of their own waste products floating around the cabin for the next 3 days. A subtle one. After the launch, Marilyn Lovell comments that she might look calm but that this doesn't end for her until she sees Jim board the aircraft carrier from the retrieval helicopter. When that happens, it cuts to Marilyn giving an adorable "there it is" reaction. Butt-Monkey: From getting crap for bumping Mattingly from the mission to a later "medical mutiny", Charles Berry can't catch a break. The Cameo: Aside from Ron Howard's relatives, he also put in movie producer Roger Corman (as the congressman who questions continuing the Apollo program) and Todd Hallowell, the film's Executive Producer, (as the guy that yells at Jim Lovell at a traffic light). Walter Cronkite does the prologue narration, and his news broadcasts for both Apollo 11 and 13 are used as plot points. The Captain: Gene Kranz at Mission Control is a model leader who commands respect. Unassuming but firm, he's cool on many levels; he's calm and collected, exactly what is required when time is at the essence, makes critical, unprecedented and right decisions on his feet and never fails to be assertive but polite. When the occasion requires it he's stingy without being smug and proudly shoots down any defeatism. His empathy solidifies him as the perfect captain. Jim Lovell obviously, the savvy, competent and balanced commander of the Apollo 13. Fittingly, he was officially Captain James Lovell, United States Navy. Also fittingly, the real Jim Lovell wore his old Navy captain's uniform for his cameo appearance in the film. Captain Obvious: When Marilyn asks Jim why his mission has to be called Apollo 13, he replies, "It comes after 12. " CAPCOM, which was just doing its job, but the astronauts were understandably tense. In another example of the attention to detail in the movie, Truth in Television. It was over 30 minutes before the astronauts realized they had their microphone set to VOX, and Jim Lovell really did say "frappin'" over the radio. CAPCOM: Aquarius, watch that middle gimbal. We don't want you tumbling off into space. Jim: Freddo, inform Houston I'm well aware of the God-damned gimbals! Fred: [calmly] Roger that, Houston. Jim Lovell: I don't need to hear the obvious, I've got the frappin' 8-ball right in front of me! INCO: Andy, we're on VOX. CAPCOM: Aquarius, Houston. We have you both on VOX. Fred: You want what, you want us to go to VOX? CAPCOM: You have a hot mic, we are reading everything you say. Fred: [giving a sheepish smirk] Sorry, Jim. The Casanova: Jack is depicted in the film as a ladies man who is introduced using sexual-spatial metaphors with a girl. He's also remarked as the first bachelor in space—initially, NASA policy only allowed married men to be astronauts for PR purposes, and Jack was one of the first bachelors in the corps. This is referenced by Fred Haise after he starts coming down with a nasty UTI during the mission. He speculates that "Swigert gave [him] the clap" by urinating in his relief tube. Caps Lock, Num Lock, Missiles Lock: Defied. Swigert makes sure to place a bit of paper with "NO" written on it on the LM jettison switch so that he wouldn't accidentally jettison the thing with them on it. The Chains of Commanding: Lovell has to choose between replacing Ken Mattingly or skipping the mission. Ken is not happy about the call, but recognizes it's a tough one and doesn't hold any grudge against Lovell. Chekhov's Gun: We see the crew using duct tape for fairly mundane jobs earlier in the mission (such as taping bags of waste to the cabin wall so they don't drift around). The fact that they have a roll of the stuff on board becomes far more important later when they need it to build a make-shift adaptor for the lithium hydroxide canisters to scrub CO 2 from the LM atmosphere. Cherubic Choir: During re-entry and splashdown scenes. Cold Equation: The lunar module was designed to support two men for two days. Now it had to support three men for four. Thankfully, there were enough resources to pull it off. Kranz: I don't care what anything was designed to do. I care about what it can do. Composite Character: Loren Dean is credited as "EECOM Arthur", but is given the role of several Houston flight controllers and engineers, most notably John Aaron, Mission Control's premier "steely-eyed missile man" who saved Apollo 12 months before when their Saturn V rocket was struck (several times) by lightning. The character is referred to as "John" a few times in dialogue, too, reinforcing that this character is indeed meant to represent him. Ken Mattingly in the film was a composite of all the people who helped in the simulators to get the crew back. Conflict Ball: One arises by way of Jack Swigert trying to bring to the crew's attention to a prediction he made of the module not having a steep enough return trajectory, before hitting his head and cursing out of frustration. The ensuing argument tips them off that they were all thinking slightly less rationally than usual, by Houston alerting them to their high carbon dioxide levels, and Haise's math error in calculating CO 2 ratios around two people's breathing, not three. Continuous Decompression: The dream sequence, apparently based on a real dream Marilyn Lovell had shortly before the launch. note  Cool Car: Jim and Ken drive striking sport cars. Truth in Television, as auto makers at the time loved to give discounted (or even free) models to the astronauts so they could market their latest cars as "the choice of the astronauts! " Corvettes like Jim's were particularly popular with the astronaut corps. Corpsing: The director told Hanks at one point during filming the TV broadcast/non-broadcast scene to do something to liven up the kid actors, as they were getting bored. He went back and started his lines about the space food again, then changed to a joke about a Free Willy sandwich, playing on the actress who portrayed Barbara Lovell (the eldest daughter) also having been in that franchise's second film. Crazy-Prepared: Averted in the movie for dramatic purposes; in reality, even the off-the-wall stuff was largely dusting off prepared contingencies and stringing them together. note  As an aversion, Lovell himself has said, "If we planned for every single possible contingency, I'd still be training for this mission. " Keep in mind that he said this in an interview thirty years later. Cyanide Pill: Lovell makes reference to the popular story around NASA regarding these in the memoir the film was based on. (They weren't real, though. ) Damn You, Muscle Memory! : When preparing for reentry, Lovell automatically takes the pilot's seat before Swigert gets to it. Swigert looks hurt, assuming that Lovell doesn't trust his skills, but says nothing. When Lovell notices he apologizes—taking the pilot's seat is a force of habit, and he moves aside to let Swigert fly them home. Danger Deadpan: Because astronauts are just awesome like that. Darkest Hour: The American space program is on the brink of one its major disasters, but it's successfully inverted. Decomposite Character: The team of engineers who figured how to make the Command Module's air filters fit the (incompatible) slots of the Lunar Module were a decomposition of a single engineer who devised the solution while driving to work. Deliberate Values Dissonance: During the shift change in Mission Control after the launch, the camera focuses on the controllers emptying overfull ashtrays. Disconcerting even to 1995 audiences, never mind those in the 21st century. Disaster Dominoes News anchormen giving running summaries on the events of the mission can make things seem like this, combined with Tempting Fate. Walter Cronkite:.. if anything else goes wrong, they'll be in real trouble. As explained in the book, the actual mission included two other course correction burns and at least one additional serious problem note, not shown in the movie. Ron Howard said he left these out for fear that the real story would be too melodramatic. Disney Death: Communications black out during re-entry, and all the audience can see is Mission Control and Lovell's family awaiting for contact to be re-established. After three minutes (the longest a blackout had been sustained before a prior crew arrived safely), still no contact. After four minutes, still no contact. Eventually, there's contact, but the movie makes sure to make every character and every audience member sweat it out. In real life, the actual blackout lasted six minutes, nearly a minute and a half longer than expected. This was due to the trajectory of the command module being slightly shallower than originally calculated, due to it being underweight because of the lack of lunar cargo they were supposed to bring back. Does This Remind You of Anything? : Done not-at-all-subtly by Jack when he explains to a woman how the ship will link up with the lunar lander. This foreshadows a later scene where he actually performs the manoeuvre in space and it causes a completely unsexual scraping noise. Dreaming of Things to Come: Marilyn Lovell has a nightmare where Jim and the crew suffer Continuous Decompression shortly after takeoff. This was not an invention of the movie for dramatic effect, she actually had that exact dream in real life. Dream Team: Gene Kranz's White Team. Drowning My Sorrows: After he gets scrubbed from the mission so soon before liftoff, Ken Mattingly drinks heavily, switching off his TV in disgust at hearing talk show host Dick Cavett talking about his replacement Jack Swigert. He gets over that after learning about the accident. The real Mattingly was at Mission Control when the accident happened. Duct Tape for Everything: Part of the solution for how they got home. It allowed the air filter for the command module to fit the (incompatible) filter opening for the lunar module, so that the astronauts would not choke on their own exhaled carbon dioxide. The duct tape was aboard the spacecraft in the first place simply as a means of stopping crap from floating around the cabin, a usage seen earlier in the movie. Reportedly, when the real life engineer who eventually came up with that contraption learned that there was indeed duct tape aboard Apollo 13, he knew it could be fixed. Epic Launch Sequence: The launch of the Saturn V rocket carrying the craft. Reportedly so realistic that Buzz Aldrin asked director Ron Howard during an advance screening how he had obtained the footage from NASA only for Howard to tell him they'd done it themselves. Eureka Moment: The scriptwriters had one when they met with one of the real life members of mission control, Jerry Bostick, and asked him if they'd ever contemplated failure during the crisis. Jerry Bostick: In preparation for the movie, the script writers, Al Reinart and Bill Broyles, came down to Clear Lake to interview me on "What are the people in Mission Control really like? " One of their questions was "Weren't there times when everybody, or at least a few people, just panicked? " My answer was "No, when bad things happened, we just calmly laid out all the options, and failure was not one of them. We never panicked, and we never gave up on finding a solution. " I immediately sensed that Bill Broyles wanted to leave and assumed that he was bored with the interview. Only months later did I learn that when they got in their car to leave, he started screaming, "That's it! That's the tag line for the whole movie, Failure is not an option. Now we just have to figure out who to have say it. " Of course, they gave it to the Kranz character, and the rest is history. Everybody Smokes: Mission Control is stuffed to the vents with smokers and ashtrays are as prominent as flashing lights—each station has an ashtray built in, as did the seats in the viewing gallery behind the Mission Control room. Punctuated during the Go/No-Go sequence where Charles Berry blows out a huge cloud of cigarette smoke. Gene Kranz stated in a documentary that the "smell" of Mission Control was the mix of "cigarette smoke and boiled-over coffee pots" and given what they are going through the odds are that many of those engineers were lighting up more frequently than normal. In the last few scenes, several flight controllers are smoking cigars to celebrate Apollo 13's homecoming. This was a real-life NASA tradition at the time. Everyone Calls Him "Barkeep": A lot of the characters in Mission Control are known only by their positions—CAPCOM, RETRO, FAO, etc. —even in the film's credits. Excessive Steam Syndrome: Although the material being vented was oxygen rather than steam. As one of the flight controllers theorizes in the film, steam venting from a cooling system on the LM was responsible for the "shallowing" that threatened the re-entry. As water boils off into steam it takes heat with it, making it a pretty useful way of getting rid of excess heat in an environment where conduction and convection are out of the question. The LM was not meant to be powered up for the trans-lunar or trans-earth phases of the mission (it wasn't meant to be even attached any more for the trans-earth coast) so the effects of the steam vent had never been observed before. Furthermore, the reason they ran out of electric power was because they ran out of oxygen to feed the fuel cells, a technology first used on Gemini spacecraft and readied for Apollo. In the cell, hydrogen and oxygen are combined at high temperatures, producing electricity... and steam, which was condensed into water for drinking and cooling. Explosive Stupidity: Of the all too literal variety. The oxygen tanks used on Apollo 13 had originally been installed in Apollo 10 and were designed to run at 28 volts, the nominal voltage provided by the fuel cells. At some point it was realized that certain operations on the ground could be sped up considerably if the electrical systems were uprated for dual-voltage operation (28 volts on a mission, 65 volts on the ground) so a redesign was done and the electrical systems uprated. As part of this process, the Apollo 10 tank was removed from its service module and a new uprated tank installed in its place, whilst the removed tank was returned to the manufacturer to be refurbished for dual-voltage operation. The parts were all replaced to run at the new voltage — except for one thermostat. This switch was designed to protect the tank from overheating by breaking the circuit in the event the temperature rose above 80 degrees. 80 degrees is an utterly ridiculous temperature for an oxygen tank to run at, but, as luck would have it, Oxygen Tank 2 got knocked against the ground during installation into Apollo 13's service module and an oxygen drainage pipe was knocked partway loose, meaning that emptying the tank of O 2 by standard procedures was no longer an option. The solution, when they discovered this issue, was to run the tank hot and boil all the liquid oxygen off instead. This seemed like a reasonable solution because the tank heater was protected by the aforementioned thermostat. However, when the boiloff procedure was executed and the switch tripped as it was supposed to, the tank was running on 65 volts. The switch arced and the resulting spark was powerful enough to weld it shut permanently, allowing the tank to get much hotter than 80 degrees. And because the tank's temperature sensor wasn't designed to go higher than 80, no-one knew that temperatures in excess of 1000 degrees had melted the insulation off the wires... until it was too late. Face Palm: Several. The level of frustration in the film runs extremely high, from malfunctioning equipment to accidents to outright stupidity, and the characters show it. At one point, Flight Director Gene Kranz reacts with a subtle one and some exasperated snarking on learning that the only available spare carbon-dioxide scrubbers on the stricken spacecraft (from the dead Command Module) are square, and the receptacle for the only working scrubber system (in the Lunar Module) is round. Gene Kranz: [facepalm] Tell me this isn't a government operation... I suggest you gentlemen invent a way to put a square peg in a round hole. Rapidly. Another one happens a little later on, when Mission Control macgyvers a solution, which includes using their spare urine bag. Which leads to this exchange: Fred: Shit, I tore it. Jack: Shit. Fred: Houston, what do we do if we rip the bag? Can we tape it? Andy (CAPCOM - WHITE): They just tore the bag. Technician: Oh, no. Gene does this at the end just after Odyssey has reestablished contact with Mission Control after reentry. However, this one is not out of frustration, just relief that the ordeal for everyone is over. Failsafe Failure: "It's reading a quadruple failure - that can't happen. " Normally true. The flight controllers normally see issues as matters of bad telemetry or sensors that fail. That's "instrumentation" problems. But when they verify their data to observation... Another case of Truth in Television. After the mission, Jack Swigert told LIFE magazine that if the crew had been given this type of scenario during a simulation, they would have complained about it "not being realistic. " The whole accident sequence was set in motion months earlier when a thermostat in the oxygen tank failed during ground operations, resulting in the tank's interior being overheated to the point where the insulation on the wiring melted off. The failed thermostat was supposed to act as a fail-safe against that exact event, but when it tripped it was running under a voltage it wasn't designed for and welded itself shut. The temperature probe, which might have alerted the ground crew to the problem only went up to 80 degrees F, which was the temperature they were expecting during the operation they were performing, so that system offered no warning of the problem that had been set in motion either. Failure Is the Only Option: The Inverted Trope Namer: "Failure is not an option! " Fanservice: It's clear Kevin Bacon's character is wearing his space jumpsuit with no shirt underneath judging by the white t-shirt and tank top necklines that are visible with the others. Kevin Bacon always showed off his chest on and off camera so this was a given. Fight to Survive: An epic struggle both in space and back in Mission Control to get the three astronauts back home alive. The Film of the Book: Started even before the book, Lost Moon, was finished. Flatline: Charles Berry, the flight surgeon at the control room, freaks out when the astronauts' monitors flatline, but they hear their voices through the radios fine, and the director assures him that the astronauts simply took their medical leads off. They did so because they were tired of hearing the operators fuss about their medical condition. Given that they were freezing, exhausted (unable to properly sleep), Haise was legitimately sick, and they were all under incredible stress, Berry had actual cause to be concerned for their health, but the astronauts were having none of it. (This was Artistic License in part. Jack Swigert couldn't use the biomed system because the LM only had connections for Fred and Jim. ) Foregone Conclusion: But no less tense and gripping for all that.     Tropes G to L  Gallows Humor: When the command module got safely back to Earth and the astronauts were saved, the representative of Grumman (who designed the Lunar Module) gave the representative of North American aviation (who designed the command service module) a bill. For towing expenses (with an added fee for "additional guest in room" since the Lunar Module was only meant for two, not three). North American responded in turn by stating that the CSM had already ferried three LMs (Apollos 10, 11 and 12) to the Moon with no such fees charged at the time. Genius Thriller: The movie is all about astronauts trying to outsmart a problem. Glasses Pull: Walter Cronkite is seen doing this when announcing Neil Armstrong setting foot on the moon and rubbing his hands together in glee. Good Is Boring: All the networks dropped the Apollo 13 live broadcast — but took up coverage the moment things went bad. Viewer and network coverage complacency about the launch was made worse because Apollo 12's flight was virtually videoless due to the accidental destruction of their only video camera while on the moon (the camera was accidentally pointed into the sun). Almost two years passed before viewers could care about seeing a man walk on the moon again. Marilyn Lovell: [arriving at NASA to watch it] Where's their broadcast? Henry: All the networks dumped us. One of them said we make goin' to the moon as exciting as taking a trip to Pittsburgh. Later, Marilyn is understandably angry when she gets a request from the news networks to put a tower for live broadcast on her lawn: Marilyn: I thought they didn't care about this mission. They didn't even run Jim's show. Henry: Well, it's more dramatic now. Suddenly people are... Marilyn: Landing on the moon wasn't dramatic enough for them — why should NOT landing on it be? Henry: Look, I, um, I realize how hard this is, Marilyn, but the whole world is caught up in this, it's historic-... Marilyn: No, Henry! Those people don't put one piece of equipment on my lawn. If they have a problem with that, they can take it up with my husband. He'll be HOME... on FRIDAY! Good with Numbers: Lovell, while under the pressure of the accident and threat of imminent death, performs the required calculations to activate Aquarius, in his head, while trying to keep himself and the rest of his crew alive. He asks Mission Control to double check his numbers, which they do with freaking slide rules and pronounce his calculations accurate. In real life, the reason Lovell asked for his figures to be checked from the ground was because he'd actually failed tests of his math skills in less stressful situations, so he sure as heck didn't trust them in the midst of a disaster, at least without another set of eyes to check his work. Gosh Dang It to Heck! : "I don't need to hear the obvious, I've got the frapping eight ball right in front of me! " Truth in Television on this one. The crew of a previous mission (Apollo 10) had been admonished for using somewhat harsher language on the radio, so all the astronauts were told to avoid using profanities in transmission, and in the audio commentary track for the Laserdisc/DVD, Jim Lovell protests the inaccuracy of this line, claiming he didn't use any profanity. (Most likely, he was protesting the use of "god-damned" a few lines earlier in the scene, since "frapping" was also in the official NASA transcript. ) Grasp the Sun: On Earth, Lovell closes one eye to "cover" the moon with his thumb. Later, from his spacecraft, he does the same to the Earth. The Great Repair: The second and third act involve keeping the spacecraft going on limited supplies while not having access to all the workings of the ship. Historical Badass Upgrade: Inverted. The level of stress, fear, and emotion that the astronauts express is exaggerated for dramatic effect to what the audience would expect from someone in such a terrifying situation, in real life they were totally calm and collected at all times. Historical Beauty Update: Ken Mattingly wasn't quite so handsome in real life. Historical In-Joke: During the live broadcast, the CAPCOM notes, "When I go up on 19, I'm gonna bring my entire collection of Johnny Cash along. " Sadly, Apollo 17 was the last mission to go to the moon. (This was also a reference to the fact that all of the CAPCOMs at the time were fellow astronauts, either members of past Apollo missions or in-training for future missions. ) note  During the viewing of the Apollo 11 lunar landing broadcast, Pete Conrad jokes that it's a dress rehearsal of his Apollo 12 landing. Sadly, Apollo 12's camera was accidentally pointed into the sun during the broadcast, frying the camera and leaving them unable to broadcast the excursions. During the LM inspection TV broadcast, Fred sets a tape recorder going, playing Spirit In The Sky. Jim comments that it was meant to be the theme from 2001: A Space Odyssey in honour of Odyssey, their command module. The intended music was played on the real Apollo 13 broadcast. Hollywood Science: Mostly averted. One great example: After the explosion, pieces of debris surround and follow the spacecraft (as much of the drifting debris must share the same velocity as the spacecraft since there is no air to create drag). The debris logically disappears after the (off-screen) PC+2 burn to get the crew home as fast as possible. Hope Spot: Inverted during the reentry scene. Previously, no manned mission had gone through more than three minutes of radio silence during reentry, the state of the Service Module indicated that the heat shield may have been damaged, and the angle of reentry was much shallower than any previous mission, meaning there was a distinct possibility that the Command Module would burn up during reentry. When four full minutes of radio silence passed without contact being reestablished, it seems that there is no chance the crew survived. Cue Lovell's response of "Hello, Houston. This is Odyssey. " And Mission Control Rejoiced. Humans Are Special: Jim Lovell, very drunk, is lying on a recliner in his back yard looking up at the moon, after the successful landing of Apollo 11. He explains to his wife why this trope applies: Humble Hero: Lovell. When Swigert introduces him to Tracy, he starts telling her about Lovell's impressive NASA record, and Lovell acts mildly embarrassed. He also tells a tour group that "the astronaut is only the most visible member of a very large team" and that everyone involved with the Apollo program is honored to be part of it. If I Had a Nickel: Raise your hand if you are reassured by this next statement: Jim: Well... if I had a dollar for every time they've killed me in this thing [the Apollo flight simulator], I wouldn't have to work for you, Deke. Ignored Vital News Reports: The grounded astronaut Ken Mattingly turns off his TV just before the ABC News special report comes on. Imagine Spot: When Lovell notices their landing site a short day dream sequence scene ensues, with Aquarius landed on the surface and Jim taking his first steps in the lunar landscape. Improbable Piloting Skills: Improbable maybe, but completely true. Improbable flying skills are part of the job description. Is This Thing Still On? : Sometimes they turn the connection to CAPCOM on and off. Sometimes they forget. Jim: Are we on VOX?! note  It Has Been an Honor: Jim comments on this as they are preparing to re-enter Earth's atmosphere. Jim: Gentlemen, it's been a privilege flying with you. Just Plane Wrong: Minor example. When Jim Lovell flies by his house in a T-38 there's a visible contrail, despite his low altitude. Ron Howard knew that, but had it put in anyway in a rare moment of Rule of Cool. Kinda Busy Here: Jack's called about replacing Mattingly during shower sex. Lecture as Exposition: Jim Lovell explains to his young son, and to the audience, how the LM is used to land on the moon, specifically noting that it only carries two people. Let Them Die Happy: A variation as the titular spacecraft is finally about to re-enter the atmosphere after so much has gone wrong, and mission control sees they are drifting off course. RETRO: Flight, they're still shallowing a bit up there. Do you want to tell them? Gene Kranz: Anything we can do about it? RETRO: Not now, Flight. Gene Kranz: Then they don't need to know, do they? RETRO: Copy that. Literal Metaphor: The carbon dioxide levels on the Lunar Module are rising faster than the LM's air filters can handle. But the Command Module's filters, which can handle it, are square, whereas the LM's filters are round. So NASA's engineers have to actually put a square peg into a round hole, promptly lampshaded by Kranz. Lost Wedding Ring: This sequence was only slightly exaggerated for drama, though the initial Los Angeles Times review criticized this "invention". Marilyn Lovell did drop her wedding ring in the shower, but she was able to retrieve it; still, the experience was less than reassuring.     Tropes M to R  MacGyvering: The engineers and the astronauts had to do this to adapt the lander's completely differently designed air filters with the command module's before the crew suffocated. They eventually put together a solution that involves duct tape, a plastic baggie, a sock, and the cover of their flight manual. (Unfortunately, the great scene where the engineers run in carrying all the gear that the craft would have and saying they have to make a filter adapter out of that pile didn't happen in real life; an engineer figured it out on the drive to his workplace when called up for the emergency. ) Manly Tears: Gene Kranz sheds some when they regain communication with the Odyssey after the ship has safely survived reentry. Kranz isn't the only one; it's subtle, but if you look closely during this scene, you can see several other engineers wiping their eyes. Mass "Oh, Crap! ": Lovell's report that the spacecraft is venting results in this, from his fellow astronauts and all of Mission Control. Meaningful Name: The Command Module is called Odyssey, in reference to 2001: A Space Odyssey, but it also refers to Homer's The Odyssey, a quintessential tale about an epic long voyage home. Midair Bobbing: An artifact of the filming process. The actors in the spacecraft really are in freefall, as mentioned in the Artificial Gravity entry above, but the set is attached to the KC-135; as the plane is buffeted by the atmosphere, the set actually bobs around the actors, making it look like they're shifting about even when they're not touching any walls. A large portion of the spacecraft shots were done on a sound stage in normal gravity, with the actors required to fake weightlessness; however, because the actors had already filmed in freefall, they were able to adjust their behavior accordingly, and the intercutting of KC-135 and stage shots made the effects less noticeable. Midair Repair: Mid- space repair, as the crew has to nurse their stricken spacecraft around the moon and back home. Missed Him by That Much: Marilyn Lovell did come to Mission Control to see the astronauts broadcast. The explosion happened between her leaving mission control and getting home. Good thing they waited until after the broadcast to stir the tanks. Ken turns off his television just as the news breaks that Apollo 13's in trouble. If he'd waited a few more seconds he would have known what was going on a lot sooner. Missed the Call: If Ken Mattingly had had the measles like everyone else, he would have been clear to go. He's pulled and replaced by Jack Swigert two days before the launch. Mattingly eventually did fly Apollo 16, which successfully landed on the moon. Mission Control: The real kind. Mood Whiplash: Cuts right from Jack Swigert's reaction to being told he's going to the moon to Ken Mattingly's reaction to being told he's not going to the moon... Happens twice during the "Where Are They Now? " monologue Jim Lovell gives for his crewmen. Firstly, it's implied that Fred Haise finally got to walk on the moon after all, until Lovell reveals that his Apollo 18 mission was scrapped due to budget cuts and the unsuccessful Apollo 13 mission marked the end of his space career. Likewise, Jack Swigert's future is initially painted quite brightly when Jim tells the audience he was elected to congress... before revealing that he never even got to take office due to his sudden death by cancer. Mundane Solution: The instruments are unavailable for re-entry, and Ground Control wonder how they're going to find their way back. Jim has the simple solution: use the terminator of the Earth. Negated Moment of Awesome: The mission was going to be flight commander Jim Lovell's Moment of Awesome. He was planning on retiring from NASA after this mission, and what better way to do it than by walking on the moon, after previously flying to it on Apollo 8. Unfortunately, an explosion in mid-flight means having to abort the moon landing, thereby making Lovell the only astronaut to travel to the moon twice without actually landing. New Meat: The Saturn V launch scenes make it very obvious that Lovell is the only crew member who has flown in space before (specifically, Apollo 13 was his fourth flight overall and his second flight launched on a Saturn V). He knows what all the pre-launch background noises are, and he knows when to warn the crew about "a little jolt. " No Antagonist: The damage was accidental and not sabotage, the astronauts argue but cooperate, and NASA is honest and labors to get their men back. Characters such as the flight surgeon, the jackalesque media and the political liaisons come off unsympathetic or callous, but that's all. Everyone in the cast is doing whatever they can to get the crew home safely. Nobody Poops: Jim laments that they can't show how the bathrooms aboard the module work during their live broadcast. We then get a beautiful shot of his pee spraying out into space. They also have to resort to bagging their waste once the emergency occurs, as dumping it would only throw off their trajectory. No Celebrities Were Harmed: Joe Spano's character is listed simply as "NASA Director" but was apparently loosely based on Chris Kraft, the progenitor of the Flight Director program. For dramatic purposes the character is a bit of a doomsayer (in contrast to Gene "Failure is not an option" Kranz), so they probably left him unnamed because Kraft is simply too highly regarded for NASA to tolerate him being portrayed negatively. Noisy Shut-Up: Shortly after the explosion, everyone in Mission Control starts talking frantically at the same time. Gene Kranz has to stand up and yell "Quiet down! " a few times so that he can start giving them instructions. It works very well. Noodle Implements: The materials Mission Control tells the astronauts to gather (to MacGyver another air filter for the LEM) include suit hoses, a flight plan cover, 2 lithium hydroxide cannisters, duct tape, and one sock. No Phones Tonight: Ken Mattingly takes his off the hook and goes to bed, forcing fellow astronaut John Young to come wake him up after the explosion. Nothing but Hits: Anytime anyone is listening to the radio, and "Spirit in the Sky" on tape during the mission. (The last one gets a lampshade hung by Lovell, who mentions the soundtrack was switched—in real life, the music was Also sprach Zarathustra by Strauss, as Lovell in-film said it should have been. ) Nothing Is Scarier: Three minutes of radio silence was the longest any previous mission had gone during a successful reentry. Apollo 13 was out of contact for four. With everything that had gone on up till then, this was the most nerve-wracking four minutes in NASA history. In real life the radio blackout was six minutes, nearly a minute and a half longer than expected due to the reentry angle being significantly shallower than any previous mission. More time in the low density upper atmosphere meant it took them much longer to slow down to the point that the air ahead of them was no longer being heated by compression into a plasma which radio signals can't penetrate. Not Me This Time: Fred Haise has been using the cabin repress valve, which causes a sharp banging sound, to mess with the other astronauts. When the oxygen tank explodes and the entire ship starts shaking, he rushes in saying, "That's no repress valve! " Not the Intended Use: Gene invokes this to come up with their contingency plans. Gene: I don't care what anything was designed to do; I care about what it can do. Obligatory Swearing: Only in the sense that they actually do swear about as much could be expected from anyone else in their situation. In real life they stayed totally calm at all times, the harshest language any of the astronauts used was Jim Lovell's use of the phrase " frappin'. " Oh, Crap! : The moment when everyone, crew and ground control alike, realizes that whatever has happened, it's a major problem. Which is absolutely true. According to Lovell in his book, the one thing no Commander on ANY space mission wants to see is his craft "bleeding. " Jim: Houston, we are venting something into space. Moments later, the worst-case scenario is confirmed. Jim: It's got to be the oxygen. The moment that it really hits how screwed they are: Lovell: Freddo, how long does it take to power up the LEM? Haise: Three hours, by the checklist. Lovell: We don't have that much time. Haise: Shiiiiiit... [hurries into the LEM] This is followed moments later with: Lovell: We've got fifteen minutes, Freddo, it's worse than I thought. A bit later, they get a brutal lesson in exactly why the LEM power-up checklist is three hours long: Jim: Houston, be aware, our RCS isn't up yet! We have no attitude control on Aquarius! And again, when they get their first look at the damage after separating the service module. Jim: Houston, we're getting our first look at the service module now. One whole side of the spacecraft is missing ◊. Right by the high gain antenna, a whole panel is blown out. Right up... right up to our heat shield. A small one happens when Jim irately demands that Mission Control give them the command module power-up procedure only to have Deke Slayton cut in on the radio to tell him to be patient. The Apollo 13 astronauts knew full well that only the CAPCOM officer at Mission Control was supposed to communicate with the flight crew directly; so when their boss Deke broke protocol and personally got on the radio to talk to them, all three astronauts immediately realized the status of the power-up procedure: Jack: They don't know how to do it. Upon discovering their air in the LEM is building up CO 2 faster than anticipated, Haise realizes he forgot to adjust his calculations to include a third person. Lovell confirms on his commentary that this really did happen. When Lovell's young son is told there's something wrong with Apollo 13, he asks wide-eyed with fear, "Was it the door? " note  O. O. C. Is Serious Business: Throughout the movie Gene Krantz is the cool, calm leader of the Mission Control team. The one moment the facade cracks is when he is informed that there's still a delay in getting the critical power-up procedure for the Command Module, letting the audience know the situation is getting critical. Gene: Come on, I want whatever you guys got on the power-up procedures. We've got to get something up to these guys. Deke: Gene, they're working on it. Gene: I don't want the want the whole damn bible, just give me a couple of chapters. We've got to give these guys something. Deke: They're working on it now. NASA Engineer I'll get over there and get an estimate Gene: (angrily kicks a trashcan aside) Goddammit, I don't want another estimate! I want the procedure! Now! One Steve Limit: Averted. There are two Johns, John Young and John Aaron. Sometimes they're in the same scene and both respond when people don't specify which John they're asking for. One-Woman Wail: During the loss of communications as they pass behind the moon (courtesy of Annie Lennox). The Perfectionist: Ken Mattingly. He's the only one in the crew who wants to run the simulation over and over to get it just exactly right. Parental Fashion Veto: Barbara Lovell wants to go out for Halloween dressed like a hippie, and her parents tell her she can't go out dressed that way. Phlebotinum Analogy: News anchors describing how narrow of a window the Odyssey has for a safe reentry. Newscaster: In order to enter the atmosphere safely, the crew must aim for a corridor just two and a half degrees wide.... The reentry corridor is, in fact, so narrow that if this basketball were the Earth, and this softball were the Moon, and the two were placed fourteen feet apart, the crew would have to hit a target no thicker than this piece of paper. Practical Voice-Over: Used extensively here, as the crew's plight was a major news item. Some of the original news broadcasts, including Jules Bergman's interruption of The Dick Cavett Show, were used for the film. Pragmatic Adaptation: Several details are glossed over or left out, sometimes for time or story-flow reasons, other times because Ron Howard thought that detailing every problem that cropped up on the mission would lead to disbelief from audiences. An example of the former: Passive Thermal Control note  is mentioned once but never explained, and the need to maintain PTC as part of the post-explosion survival strategy is left out altogether. With all the other problems they had to worry about it seemed like an unnecessary additional detail. An example of the latter: In real life one of the LM's batteries suffered a partial venting of its electrolyte, reducing its capacity and causing some anxiety on the ground that they'd lost precious power reserved. This was left out entirely as it was felt it would come off as too melodramatic to throw that into the mix as well. Precision F-Strike: By Jim Lovell, upon being told that Ken Mattingly has to be replaced less than three days before liftoff: And later when there's problems in devising an ad-hoc power-up procedure before re-entry: NASA engineer: I'll get over to the simulator and get an estimate- Gene: [kicking a trashcan] GODDAMMIT! I don't WANT another estimate! I want the procedure! Now! Ken Mattingly can't figure out the Odyssey's re-entry sequence and it's starting to get on his nerves: John Aaron: The sequence looks good, we're just over budget on the amperage. Ken: By how much? John: Three or four amps. Ken: Goddammit, John, is it three or four!? Punctuated! For! Emphasis! : Gene Kranz's most famous line of the movie is delivered like this to provide extra gravitas. Kranz: Failure. Is not. An option! Quieter Than Silence: The ambiance outside the capsule, as represented by... wind. Readings Are Off the Scale: Like in most fictional versions, this is a Bad Thing in real life. Sy Liebergot: O 2 Tank 2 not reading at all [... ] It's — it's reading a quadruple failure — that can't happen... It's got to be instrumentation. And as noted above, this was a big part of how the tank got damaged and why it malfunctioned/blew up in the first place. Reality Is Unrealistic: A preview audience member criticized the " typical Hollywood ending ", and even those familiar with the basic story have assumed that certain historically accurate parts of the film (most notably the scene where Marilyn Lovell loses her wedding ring) were invented for dramatic reasons. The wedding ring shower scene was exaggerated somewhat. In real life, the ring did slip off her finger, but it was too big to fall through the drain cover and Marilyn was able to retrieve it. Similarly, Marilyn Lovell's nightmare about Jim's team suffering an explosive decompression accident was not invented for dramatic effect, but based on a real dream she had before the launch. On the other end of the spectrum, the astronauts were depicted more emotional than they actually behaved in order for the audience to connect with them easier. In reality, the astronauts kept a cool head at all times (all three had been test pilots, it comes with the territory) and no-one could afford to spend time worrying. This change was made likely because audiences would have a hard time believing that anyone (even trained astronauts) could be so badass under so much pressure and also because it would have been boring if they kept a cool head at all times. note  The infamous quadruple equipment malfunction happened exactly as was portrayed in the movie. Jack Swigert even mentioned this trope directly during an interview shortly after they got back, stating that if NASA had handed them this exact scenario during a training simulation, they would all have complained about it not being realistic. At first stage ignition, the Saturn V launch shows great balls of fire blooming out from around the engines, and then shrinking right back down again. Jim Lovell commented on this, saying that many people believed that the film was merely being run backwards; however, actual footage of the launches shows the fireball retreating in this way, as the initial cloud of flames is sucked back through the base of the launch platform by the ever-increasing velocity of the exhaust plume. The unrealistic part of the film's launch (aside from the Saturn V's paint job for 13) were the holding arms, which all swing back simultaneously, not one by one. As portrayed in the film, the longest time Mission Control had ever lost contact with an astronaut crew was three minutes of radio silence. The movie depicts at as four, in real life it was six. Much of the astronaut's dialogue and their reactions are greatly exaggerated for drama. In particular, many comments by the cinematic Lovell were actually said by Fred Haise, according to the transcript. Also exaggerated for the sake of drama were the relative inexperience, compared to Lovell, of Swigert (the real Swigert was a solid pilot that also trained in many Command Module disaster scenarios) and Haise (who pointed out many problems in the real mission long before they came to pass). There were several other problems that didn't make it into the film (the biggest was one of the LM's batteries suffering a loss of capacity, causing mission control to fear that they'd lost some of their reserve power) because it would have simply come across as too melodramatic to believe. The real Gene Kranz switched roles with flight director Glynn Lunney as shown in the film but never manned the Flight console again until perhaps near the mission's conclusion, leading his White Team as a roving troubleshooting team while other directors were in charge. The way that mission control comes up with the plan to fit the Command Module's air filters to the mismatched slots of the Lunar Module was far more improbable in real life than in the film. In the movie, it's depicted as the efforts of a team of engineers working frantically to come up with a solution, in real life, the solution was thought up by one guy in his car on the way to work. Real Person Cameo: The real Jim Lovell has a role as the captain of the aircraft carrier that recovers the crew after splashdown. This role is doubly appropriate, as Lovell is a retired Navy captain. He was originally going to appear as an admiral, but he told the producers something along the lines of "I retired as a captain so I'll be a captain. " The real Marilyn Lovell also has a cameo as one of the spectators at the launch. Repeat to Confirm: Standard operating procedure for NASA. Lovell does this three times when Houston tells him to shut down the fuel cells, which is an irreversible procedure that would scrub their moon landing, in a desperate measure to contain the oxygen leak. Jim: Are you saying you want the whole smash? Closing down the react valves for fuel cells shutdown? Shutting down the fuel cells, did I hear you right? Recognition Failure: Lovell's senile mother doesn't recognize Neil Armstrong and Buzz Aldrin when they arrive to give support. ** This also counts as a Historical Person Punchline. While Armstrong is mentioned a lot early in the film (and the 1969 moon landing shown), he and Buzz only first appear as characters in that scene, and are named by Marilyn only after telling them what to do. Reentry Scare: It didn't help Marilyn and family to see ABC's Jules Bergman demonstrate re-entry by putting a blowtorch to a sample of the spacecraft's ablative heat shield to show how it was supposed to work. Retirony: Narrowly averted; Jim Lovell announces that Apollo 13 is going to be his last mission. Reverse the Polarity: Justified. Shortly before re-entry they needed "four more amps" to power up the Command Module. They used a circuit intended to provide power from the Command Module to the Lunar Module to do the opposite. It's mentioned that a lot of power is lost this way, as the circuit wasn't built for this, but it's good enough for what they need it to do here. note  Rock Bottom: And then some. RETRO - WHITE: Flight, this is RETRO. Gene Kranz (FLIGHT DIRECTOR - WHITE): Go, RETRO. RETRO: Flight. We are looking at a typhoon warning at the edge of the prime recovery zone. Kranz: Say again, RETRO. We are looking at a typhoon warning on the edge of the prime recovery area, now this is just a warning, Flight, it could miss them. Kranz: Only if their luck changes. Rousing Speech: Gene Kranz makes the team's mission statement very clear. Gene Kranz: I want you guys to find every engineer who designed every switch, every circuit, every transistor and every light bulb that's up there. Then I want you to talk to the guy in the assembly line who actually built the thing. Find out how to squeeze every amp out of both of these goddamn machines. I want this mark all the way back to Earth with time to spare. We never lost an American in space, we're sure as hell not gonna lose one on my watch! Failure is not an option! Another great mission summary from Gene. Gene: I don't care what anything was designed to do, I care about what it can do.     Tropes S to Z  Science Hero: The three astronauts and most of the personnel at mission control. Their ingenuity turns a doomed scenario into one of NASA's finest hours. Scotty Time: Played deadly serious here: Lovell: Freddo, how long does it take to power up the LEM? Haise: Three hours, by the checklist. [hurries into the LEM] In fact, they had just 15 minutes to power up the lunar module before the command module lost too much battery power to survive for reentry. They only succeeded because they were ahead of schedule and LM was already partially powered up for a systems checkout. Shoot the Messenger: Unsurprisingly, given the tense circumstances, those most aware of problems have to bear the brunt of others' frustration and impatience over things they have no control over. The astronauts get angry at Charles Berry, who was simply doing what he needed to do as a flight surgeon to keep them safe (you really can't risk your command module pilot coming down with the measles during lunar orbit rendezvous). Of course, nobody wants to hear John Aaron tell them they don't have enough power whenever they want to do something. Shout-Out: The scene where Jim's Corvette stalls at a green light is a reference to a similar scene in American Graffiti, which Ron Howard starred in. Shower of Love: Where Jack Swigert is when he gets the call that he's become the new pilot. Shown Their Work: There are some inaccuracies, but they were minor and primarily in service of the Rule of Drama. The greatest changes were in the mission dialogue. The real astronauts rarely quibbled, much less argued, per the mission transcript. Tom Hank's character also "stole" lines that were often said by his crewmates. The spacecraft sets and mission control sets were so period accurate that they can be mistaken for the real thing. The space suits worn by the actors were practically exact replicas of the space suits Apollo astronauts wore. One person that visited the Mission Control set (a full re-creation), after leaving the set, was looking for the elevator afterward (the original Mission Control was on the third floor of its building; the set was built on the ground level) — the set was that accurate. Sinking Ship Scenario The '60s: The film is set in the transition between The '60s and The '70s. As exemplified by Barbara Lovell's hippie attire and her brooding over " The stupid Beatles breaking up" (Paul McCartney resigned from the band on April 9, 1970, two days before Apollo 13's launch). Space Is Cold: Justified as the real Apollo 13 did ice up. The spacecraft really did lose heat throughout the mission to the point where ice crystals were starting to form. The spacecraft designers knew that the electronics and fuel cells would generate a lot of heat, so they built the LEM and CM with plenty of radiator surfaces to dump the heat out into space. But with the fuel cells out of commission, and not enough power to run the electronics or cabin heaters... Space Is Noisy: Lots of booming and hissing noises from the spacecraft, as shot from outside. Spiritual Successor: The Tom Hanks produced HBO anthology From the Earth to the Moon covered the Apollo missions one by one, from one to seventeen. Obviously, it would have been redundant to retell the story of Apollo 13, so instead, the episode covered the media perspective of the potential disaster. Gravity (2013) could be seen as one, as it is a 'serious' space disaster film based on current technology and starring astronauts rather than a straight sci-fi. Ed Harris even resumes his role as Mission Control. The Martian could also be seen as one, with the problems Cranked Up to Eleven. Stepford Smiler: The wives of the astronauts are very aware they should conceal their fears and put on a happy and cheery face for the media. Marilyn Lovell even schools Mary Haise about this. Marilyn: [sotto voce] Remember, proud, happy and thrilled. Stunned Silence: Mission Control after Lovell tells them "we are venting something into space". Justified, as this is definitive confirmation that this is not going to be a minor problem, and the astronaut's lives are in serious danger. Tactful Translation: See the quote under Captain Obvious, above. Taught by Experience: Several of the procedures used had never been tested or even imagined, the technicians have to think on their feet. Techno Babble: An example of Real Life technobabble, as much of the dialogue was taken from the actual recordings of the conversations between the astronauts and mission control, and is used in a more-or-less correct way. Also counts as a Bilingual Bonus if you're an engineer. Teeth-Clenched Teamwork: Mild examples here and there during moments of tension. Gene Kranz quickly puts an end to any bickering and there are some doubts about Jack, as he was a member of the backup team. At some point, Fred antagonizes and confronts Jack, but eventually gives him credit. There was no actual animosity between the crew, and even in the film it's clear that they're just reacting out of stress and fear. By the end, they're Fire-Forged Friends. Tempting Fate: During the launch, after a second-stage engine failure is successfully worked around: Lovell: Our gimbals are good, our trim is good; looks like we just had our glitch for this mission. NASA's attitude towards the number 13 prior to the mission - the mission number, liftoff at 1:13 PM (1313 in 24-hour time) on April 11th, 1970 (4+1+1+7+0 = 13), entering lunar orbit on April 13th. After a reporter points the 13 Is Unlucky trope, Mattingly mocks him saying that he made a black cat pass over a broken mirror under the lunar module's stairs - and everything still looks okay! 13 Is Unlucky: Lots of joking about this being Apollo mission #13. Tim Taylor Technology: Inverted. The crew had to consume as little power as possible during the trip back to Earth as the LM's batteries and water were normally only for 2 men for 3 days, not three men for five days. Furthermore, they had to ensure that their improvised CM power-up sequence didn't draw more than 20 amps (instead of the usual 65) from the CM's batteries, or they wouldn't have enough power to last through the whole reentry. Typeset in the Future: The Eurostile Bold Extended font made popular by 2001: A Space Odyssey is used for the credits and on-screen messages like MANNED SPACECRAFT CENTER HOUSTON, TEXAS, THREE MONTHS PRIOR TO LAUNCH. Understatement: Yet again, "Houston, we have a problem. " The "little jolt" during the launch. Vertigo Effect: A dolly zoom on Gene Kranz's face when Lovell reports that they're venting something out into space. Victory Is Boring: A congressman mentions that his constituents remark that the space program is pointless now that the US has beaten the Russians to the Moon. Every single channel passes on the opportunity to broadcast the mission from the lunar module live. They only show interest when things begin to go bad. Vomit Indiscretion Shot: After launching, Fred Haise pukes out some small chunks of food, and some of it spatters on the camera lens. Yum. Waistcoat of Style: In both the movie and Real Life, Flight Director Gene Kranz' wife sews him a vest before each flight. Jerry Bostick (FDO White): Mrs. Kranz has pulled out the old needle and thread again. Technician: Last one looked like he bought it off a gypsy. Jerry: Well, you can't argue with tradition. [later, after Gene finally puts it on, with applause from all the technicians] Technician: Hey, Gene, I guess we can go to the moon now! The Watson: Various characters serve as this to Jim Lovell in regards to space flight, particularly Jim's youngest son Jeffrey. We Interrupt This Program: Quite often, to bring mission updates. 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Gene Kranz. One of my all time heroes. Inspried me to do 32 years with the program. Never met him

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Dvoje starih prijatelja otkrivaju da li muškac i žena mogu biti samo prijatelji Seks uvek uništi prijateljstvo između muškarca i ž tako veruje Hari Berns (Kristal). Zato kada upozna Sali Olbrajt (Rajan) i među njima se razvije snažno prijateljstvo, Hari čvrsto odlučuje da neće dopustiti da privlačnost koju oseća prema Sali uništi njihov, kada jedno veče slabosti završi jutrom punim panike, može li simpatičan par izbeći ostvarivanje Harijevih strahova, i mogu li da ostanu prijatelji i priznati da su možda savršeni jedno za drugo?... Hari (B. Kristal) i Sali (M. Rajan) upoznali su se 1977. na Cikaškom univerzitetu, nakon što su diplomirali. Kako je Salli putovala u Njujork gde će se zaposliti, kao i on, povezla ga je svojim automobilom. On želi da radi kao savetnik specijalizovan za politička pitanja, a ona će biti novinarka. Celim putem raspravljaju samo o jednoj temi: mogu li muškarac i žena da budu prijatelji koji nikad neće pomisliti na polni odnos jedno sa drugim. U Njujorku se pozdrave i ponovo se sretnu nakon pet godina na njujorškom aerodromu. Ona je u vezi sa jednim njegovim poznanikom, a on namerava da se oženi. Ona radi kao novinarka, on je politički savetnik. Za vreme leta opet razgovaraju samo o načelnim pitanjima koja se tiču muško-ženskih odnosa. Ponovo se sretnu za pet godina. Nju je napustio dečko, a njegova žena želi razvod. Sad će početi češće da se sastaju jer shvate da imaju mnogo toga zajedničkog i da su zapravo već prijatelji. No, hoće li se prijateljstvo pretvoriti u ljubav ili će ostati samo prijateljstvo? Ovu zabavnu komediju napisala je poznata njujorška novinarka Nora Efron. Kritičari su se složili da je to brbljava komedija u duhu komedija vudija Alena, no neki su dodali i da je bolja od mnogih Alenovih komedija. Režirao ju je Rob Rajner (r. 1947. ) koji je karijeru počeo kao glumac. Pre ovog režirao je četiri filma od kojih je posebno bio hvaljen Ostani uz mene (1986) snimljen prema pripovetki Stivena Kinga. Nakon Kad je Harry sreo Sally snimio je Mizeri (1990), Nekoliko dobrih ljudi (1992), Američkog predsednika (1995), Duhove Misisipija (1996) i dr.

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Harry ti presento sally watch movie watch. Love note: Richard, I cannot go with you or ever see you again. You must not ask why. Just believe that I love you. Go, my darling, and God bless you. Ilsa. Very good movie. Has Jennifer done a drama movie? Not a love, comedy movie but drama? I would love to see her do that, cause I think she would be good at it. And audrey hepburn's the one you've always wanted to do it with. you, are correct sir. Autumn in new york. Harry ti presento Sally Watch movie page. When Harry Met Sally in undeniably one of the best romantic comedies I have ever seen. I gave this movie a ten because no movie after it has managed to captivate its audience with its humor and honesty since. Meg Ryan is unforgettable as the high maintenace Sally and Billy Crystal (although not very handsome) manages to bring an attractive, insightful character to the screen. This film has a highly talented supporting cast, great music and excellent writing. I saw this movie when I was in seventh grade and loved it. As I have matured through the years the more I realize how true to life this movie is. A definite must see.

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Duration 1 Hour, 39 Minute

2019

casts Parker Posey

Abstract THE BOOKSELLERS is a lively, behind-the-scenes look at the New York rare book world and the fascinating people who inhabit it. Executive produced by Parker Posey and featuring interviews with some of the most important dealers in the business, as well as prominent collectors, auctioneers, and writers, THE BOOKSELLERS is both a loving celebration of book culture and a serious exploration of the future of the book

 

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Correspondent: Cinema Italiano Podcast

Bio: The podcast dedicated to the Italian experience, as told by film. Hosted by @MrStevenJohnson.

Genre=Documentary
countries=Italy
directed by=Beniamino Barrese
Resume=Benedetta wants to disappear. An iconic fashion model in the 1960s, she became a muse to Warhol, Dali, Penn and Avedon. As a radical feminist in the 1970s, she fought for the rights and emancipation of women. But at the age of 75, she becomes fed up with all the roles that life has imposed upon her and decides to leave everything and everybody behind, to disappear to a place as far as possible from the world she knows. Hiding behind the camera, her son Beniamino witnesses her journey. Having filmed her since he was a child in spite of all her resistance, he now wants to make a film about her, to keep her close for as long as possible - or, at least, as long as his camera keeps running. The making of the film turns into a battle between mother and son, a stubborn fight to capture the ultimate image of Benedetta - the image of her liberation
Tomatometers=8 of 10 Stars
2019

La disparition de ma mère full movie trailer. La disparition de ma mère full movie watch. La disparition de ma mère full movie youtube. Per me e stato il marito a farla sparire chissà perché ha ritrovato la scarpa di Samira mi sembra la storia di Misseri quanto fece ritrovare il cellulare di Sara. Regia: Beniamino Barrese. Anno: 2019  Durante il casting per un film a lei dedicato, alcune modelle cercano di entrare nel personaggio della top model Benedetta Barzini, la prima modella italiana a comparire nel 1963 su "Vogue" America per volere della leggendaria fashion editor Diana Vreeland (immortalata nel documentario di Lisa Ammordino). Ma quest'inizio in chiave fiction, con luce artefatta da photoshooting è un depistaggio: qualcosa che, per contrasto, faccia risaltare la reale natura di Barzini, imponendosi con forza su quella bidimensionale, amplificata dalle passerelle, dalle cover di riviste come "Harper's Bazaar" agli altri media.

I'm hoping that Florian HvD is back to form... I loved and got my heart broken by In the Lives of Others. So glad to see him back to direct a film of substance...
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I love you, Tom Schilling.
Another movie where the world's moral salvation is in the hands of a Artist (or writer, poet, film-maker, playwright, or philosopher. It is never a farmer, bus driver, or factory worker. The people that are usually the victims and do all the fighting.

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This movie will seem profound if youre about 16. Tacky & preachy if youre over 40.

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Grazie. La Disparition de Ma Mère Full movie reviews. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Si no estás registrad@ puedes contactarnos vía Twitter, FB o por email a info -arroba- filmaffinity -punto- com. Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras.

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• Star James Marsden
• Audience Score 99 Vote
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This is boring. Digimon adventure: last evolution kizuna watch free download. Con la que tenemos esperanza de que toi haga algo bueno XD. Can`t stop tears its so beautiful, my soul still remember what is it like to be a kid again thank you Digimon I will never forget you. Digimon adventure: last evolution kizuna watch free episode. Digimon adventure: last evolution kizuna watch free play. デジモンはカッコいいのに人物が残念過ぎる. 絵も嫌いだし喋らないとか終わってる. 初代のリメイク(？)が出るみたいだけど 八神太一が藤田淑子さんではない時点で破綻してるんだよなー. Digimon adventure 3a last evolution kizuna watch free lyrics.

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These are adult characters in an adult world, dealing with adult problems, with Digimon stuff on the side. Though, and I doubt I’m alone in thinking this, sometimes I’d be nice to not worry and maybe go back to my childhood and play Digimon World on the original PlayStation, so I can't blame these guys for not wanting to let go of their childhood. But  LAST EVOLUTION Kizuna isn’t about that: it is about growing up and letting go. For the characters, it’s hard to be a DigiDestined and still have a job – apparently saving the world doesn’t pay well. It’s not about them choosing what to focus on, it’s about them learning how to juggle both responsibilities without cracking. That is until those cracks appear. And not leaving a dry eye in the cinema. From an animation standpoint, Digimon Adventure LAST EVOLUTION Kizuna is the perfect update to the animation from the original Digimon Adventure TV series. The pre-credits scene is a fight between Parrotmon in Nakano made me cry from nostalgia, with the help of the new rendition of ‘Brave Heart’ being used for the fight. The animation team at Yumeta Company, under the direction of Tomohisa Taguchi ( Persona4 the Golden ANIMATION, Kino's Journey - the Beautiful World-) used the past series and films as reference for the Digimon evolutions, key design motifs (like the line-art for the characters inside a server-space, mimicking that of Our War Game), and scenes to envoke that sense of nostalgia, in a good way. The film even references past background characters to create the sense of a continuing story and the global impact that Digimon have in this fictional world. The film felt like an evolution of the franchise, rather than the drastic overhaul that was Digimon Adventure tri. As part of the updated animation, key scenes had a new white shadow effect on the characters rather than the usual black, giving off an interesting visual style that is wholly different from the original series or tri. LAST EVOLUTION Kizuna also isn’t afraid to change up the animation style for a cut to give more impact or emotion into a certain scene, for great effect (read: tears). Each character also felt like an evolution of what we’ve seen in the past. Taichi and Yamato, while bickering, as usual, felt like really good friends bickering, then when they had to, getting on with what needs to be done, rather than child (or teenagers) fighting. Izumi, while being a CEO and head honcho of his own company, was still the Izzy we loved from those scenes in Our War Game. Even the 02 kids (again, adults! ) get their own time to shine in the film, without making them feel like they were just tacked onto it to appease fans. Even the new characters, felt like they grew up in a world where Digimon existed, and have backstories that make you understand their motivations. It’s safe to say, at least for me, this has been the best Digimon  anime creation since the Mamoru Hosoda directed films. Each emotional beat was meticulously well crafted to not just be a great Digimon  film, but a great film in general that helps re-introduce the characters to an audience who may have skipped over Digimon Adventure tri. From the opening scene to the final frame, this anime film was a love letter to the Digimon Adventure franchise, and the perfect, yet depressing as hell, send off to the DigiDestined we’ve known for 20 years. It was nice to say goodbye. Digimon Adventure LAST EVOLUTION Kizuna opened in Japanese cinemas on February 21  and will have limited showings in North American and Australia in March. Toei Animation announced on January 21 that the original series will be rebooted for a new age, with the TV anime starting in April 2020. ---- Daryl Harding is a Japan Correspondent for Crunchyroll News. He also runs the YouTube channel about Japan stuff called  TheDoctorDazza, tweets at  @DoctorDazza  and posts photos of his travels on  Instagram.

I like butterfly tri version than original This is GameFAQs and stating an opinion is a declaration of WAR! Best User (edited 3 days ago) Necronmon posted... To be the first time the Royal Knight's power levels fluctuate between shows like the difference in power Dukemon/ Galletmon had in Tamers compared to the one in Savers. There's no good way to compare the strength of Tamers Gallantmon and Savers Gallantmon, so I don't think any conclusions can be made on something like this. RK are almost always more experienced than their ordinary counterparts. That's why they're made into RK. They're picked from the best of the best. Most universes don't seem to have "ordinary counterparts" for most or all of the Royal Knights (or alternatively, no Royal Knight organization at all to get invited to). Digimon of that level seem to mostly be single-individual species (per universe, of course). (edited 2 days ago) It's not like they're the exact same digimon anyway. Just the same species of digimon. Which does make me wonder how various digimon of the same species interact in the digital world. Do they give themselves nicknames? "Within this edifice dwells insight; amidst its halls stirs truth. Yet we remain trapped by the structure called the mind. " ~Aeiou Vrofbugh Mnjwpykt Aki_Sora posted... I like butterfly tri version than original I heard the dub scrapped Butterfly entirely. Such disrespect for a man who pretty much died singing both new versions. Posted with GameRaven 3. 5. 1 (edited 2 days ago) Looking forward to the movie. Lots of nostalgia watching the trailers. Hadn't watched digimon since the age of like 9-10 when i picked up watching some from the first season again as i was playing my first digimon game since world on ps1 (cyber sleuth). Really enjoyed getting back into digimon again and have played the new next order and hackers memory. Looking forwards to the new survive and this movie. Might check out some tri but i've heard some mixed stuff about it. Originally though i only watched the first 2 seasons. Don't remember why i didn't go further but might have been that they only showed these 2 seasons in my country. Always fancied it over pokemon which i was pretty alone with. Darker and more story surrounding it. Myotismon. Four masters i think they were called. And so on. (edited 2 days ago) Starks posted... I heard the dub scrapped Butterfly entirely. The dub of tri has it. A garbage pod!? It's a smegging garbage pod! So, they ripped off Kyubey's design now? Xehanort's guardian is the will of Kairi's grandma. It will absorb Xehanort and become Kairi's grandma, the final villain!!! Doesn’t look anything like Kyubey apart from maybe the face. A garbage pod!? It's a smegging garbage pod!

Digimon adventure last evolution kizuna watch free download. Kizuna means bond in Japanese, right? Then why does it make me feel to bond the Blu-ray of this film to a bomb.

 

 

 

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Digimon Adventure: Last Evolution Kizuna

Writer: O Flatulento

Biography O Brasil me faz flatular intensamente! Geminiano com asd e lua em Sagita! Um sonho: dar na cara do Presidente. Histori a dor