Created Equal: Clarence Thomas In His Own Words Tubeplus
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Reporter: Just Kat
Biography: Christian, Pro Trump, Build the wall, Pro life, Liberal professors/colleges brainwash children, No person ever changed gender except on paper; surgery=cosmetic.
Audience score - 58 Vote; 
; writers - Michael Pack; USA; directed by - Michael Pack; Documentary. Thomas is a TRAITOR go see> There seems to be a pattern of Democrats exploiting the tragedy of sexual assault for their own political motives. In fact, exploitation is their #1 playbook. Find a group that identifies as victims and exploit their emotions to garner their support. Their supporters are fools for not recognizing that they're being used.
Clarence Thomas you lied then and continue to lie! I will never believe you.
You dont Join something Knowing the Turn On Them
If it wasnt for the high tech lynching remark, he wouldnt be on the Court. I neeeed to see this. Pulling the Race card. is the ignorant indivuals way to lose an arguement. All the adults in the room recognize the sound of ignorance. it sounds like 're a Racist. Its as if 't accomplished a thing. God Rest His Soul. The Republicans have so much to thank Justice Clarence Thomas for the confirmation of Judge Kavanaugh because they learned from the precedent of Thomas' confirmation experience. Just watched it o OnDemand. Was remarkably neutral, very surprised by that given how left Kerry Washington and Wendell Pierce are. If one did not know better then one would wonder who was telling the truth. The movie left that open. The movie sorta portrayed a Senator Kennedy staffer as out to throw ANYTHING at Tjomas to stop him. If I did not know better I would wonder if this movie was green lighted when many thought Biden would run against Hillary Clinton in 2016. If he had ran this film would have been a problem for him.
Ted Kennedy, Biden among the hangmen. I loved this interview. Clarence is the best of the best and one who was also very mistreated by the Democrats during his confirmation hearing. Democrats is the party of racism and hypocrisy. Men must be believed. Grassley, Leahs, Feinstein, Biden, Graham? Yall have already gone down this same road, did you learn nothing. Lady Justice had the last word. This man is an excellent man im glad he got confirmed. There is nothing wrong being a conservative. What a great man. I'm inspired by this man.
He was the right guy at the right time. I'm convinced his grandfather unknownly prepared him to stand up to this high tech lynching. Biden already served 19 years at the time of this hearing. Our founding fathers never intended to have these lifers. CREATED EQUAL: CLARENCE THOMAS IN HIS OWN WORDS Coming to Select Theaters January 31, 2020 Although Clarence Thomas remains a controversial figure, loved by some, reviled by others, few know much more than a few headlines and the recollections of his contentious confirmation battle with Anita Hill. Yet, the personal odyssey of Clarence Thomas is a classic American story and should be better known and understood. His life began in extreme poverty in the segregated South, and moved to the height of the legal profession, as one of the most influential justices on the Supreme Court. Created Equal: Clarence Thomas in His Own Words tells the Clarence Thomas story truly and fully, without cover-ups or distortions. The documentary will open in movie theaters nationally on January 31, 2020, followed by a national broadcast on PBS in May 2020. Educational use is forthcoming. To recieve email updates about this film, please subscribe below.
#WalkAway.
Clarence Thomas and Virginia Lamp on their wedding day in 1987. Clarence Thomas is a famous sphinx, a Supreme Court justice who typically sits silently through oral arguments, who has carefully selected his audiences since his infamous 1991 confirmation hearings during which his former colleague Anita Hill accused him of making unwelcome sexual comments to her when the two worked together at the Department of Education. In light of his silence and the relatively few opinions Thomas has written during his time on the Court, there might be a tendency to cast him as something of a conservative mascot, a predictable vote for the Red Team. Created Equal: Clarence Thomas in His Own Words 86 Cast: documentary, with Clarence Thomas, Virginia Thomas Director: Michael Pack Rating: PG-13, for language Running time: 1 hour, 56 minutes Whatever your political leanings, you might come into a documentary about Thomas thinking of him as having been deeply wounded by what he called his "electronic lynching"; you might sense in his long silence protest or petulance. You might, as my wife has been known to observe, feel like sometimes quiet people simply have little to say -- remaining mute might signal mysteriousness and depth where none exists. Whether you might think him an intellectual lightweight, a true believer, a good soldier, a hero or a fool, it's likely to be revised after watching Created Equal: Clarence Thomas in His Own Words. That's not to say that the film by conservative filmmaker Michael Pack will make you change your mind about Thomas' politics or re-evaluate your position vis-à-vis l'affaire Anita Hill. But what it will show you is a flesh-and-blood Thomas, with a complicated history and a complex psychology -- a thinking person, both engaging and thoughtful. Clarence Thomas presents as a normal, thoroughly decent dude. The whole idea of the movie is to show Thomas as an avuncular gentleman of high principles and ideals. Just like the whole purpose of the 2018 documentary RBG is to present Ruth Bader Ginsburg as a kind of left-progressive superhero. There's no pretense otherwise, and though I guess you could call this agitprop, it's a very honest kind of agitprop. It's a chance for Thomas to tell his story his way, to explain why he is who he is and why he does what he does. Some tough questions about the nominations come up, and you may not believe he's telling the entire truth. But you might grant that he's telling his truth -- a truth he no doubt believes. Actors say that every villain is misunderstood. Certainly, Thomas, who admits his mantra in law school was "leave me alone, " must feel that he's been misjudged by enemies and allies. And he's probably right about that; maybe you can believe Anita Hill and still grant that the man has had quite the journey. It started in south Georgia, in the rural community of Pin Point, where he was born into a penniless family descended from West Indians (they are called Geechee in Georgia; Gullah in South Carolina). He says he never really knew his father, but that his early years of rural poverty were "very livable" compared to the grinding racism that went along with being black and poor in Savannah in the mid-1950s. He says he was a feral kid, wild on the street when he was 6 years old; the next year, he was taken in hand by a stern Catholic grandfather who welcomed Thomas and his younger brother into his house by telling them "the damn vacation is over. " It was his "rules and regulations, " and he left the boys no doubt they were "there by his grace. " The same door that opened for them could be shut with them on the other side. But they felt they had been delivered -- Grandfather's house had a bathtub and a flush toilet, and Thomas' grandmother was as kind as he was strict. So Thomas began his education in segregated Catholic schools under the tutelage of fierce Irish nuns. "They didn't much like [segregation], " he says. "They were always on our side. " When he was a high school sophomore, Thomas entered St. John Vianney's Minor Seminary and went on to Conception Seminary College in Missouri to study for the priesthood. He flourished there under the guidance of a priest who impressed upon the need for speaking standard English. (Thomas' wife, Virginia, the only other interviewee in the film, says that when she visited her husband's extended family in Pin Hook she couldn't understand their Geechee patois -- she just smiled and nodded a lot. ) Thomas understood the need to perform better academically than his white peers. He didn't want to leave anyone any reason other than race to try to discredit him. But after the assassination of Martin Luther King Jr. when he was 16, Thomas was upset by comments made by his fellow seminarians. So he quit. And when he went back to his grandfather's house he was turned away -- as the old man said he would be. He lived with his mother for a while before being accepted to the College of the Holy Cross in Worcester, Mass., and costumed himself as a black radical. From there, he went on to Yale Law School, where he describes himself as adopting a "lazy libertarian" philosophy. His eventual conversion to natural law conservative occupies the second half of the film, and while it's nowhere near as compelling as the first half, it's never insulting to one's intelligence. Apparently, it was precipitated by the realization that his radical play-acting was ridiculous and the fact that the schools in South Boston to which black kids from Roxbury were being forcibly bused to achieve integration were just as shabby as the ones in their neighborhood. And yes, he's thought about Ayn Rand; though he's insulted that anyone would think that he might have had an offhand conversation about Roe v. Wade. And the whole Anita Hill debacle was a liberal smear campaign. OK, let Thomas have his say. It's only fair. He doesn't ask questions during oral arguments because he doesn't believe that justices should ask questions. He thinks lawyers should make arguments, and judges should decide cases. He has a simple solution to America's seemingly intractable problem of racism: Cut it out. Treat everybody the same. And quit complaining, because if he could make it, coming from where he came from, anyone should be able to. But that ignores what the movie has just demonstrated: Clarence Thomas is a person of uncommon ability; a super-competent man of high intellect and -- who would have thought it -- genuine charisma. He is decidedly not just anyone. Future Supreme Court Justice Clarence Thomas and his younger brother Myers about the time they were were taken to live with his maternal grandparents in Savannah, Georgia. Thomas was 7 years old at the time. MovieStyle on 02/21/2020.
What happens in America when a black intellectual who was born into the crushing poverty of the Jim Crow South dares stand up to challenge white liberal Democratic orthodoxy? He is marginalized, socially hamstrung, ridiculed in ugly racist terms and compared by a leading liberal journalist to "chicken eating preachers" taking "crumbs from the white man's table. " He is depicted in racist cartoons as a smiling lawn jockey, and a grinning shoeshine boy polishing a white man's boots. This is how American politics revealed itself to conservative Supreme Court Justice Clarence Thomas Jr. "License is given to others to attack you any way they want to. You're not really black because you're not doing what we expect black people to do, " Thomas says in the stirring and deeply emotional documentary on his life, "Created Equal: Clarence Thomas in His Own Words. " The film is in theaters, released at the beginning of Black History Month. It will not receive a media buzz, because Thomas' story is deeply threatening to the liberal orthodoxy. And it threatens Joe Biden, now campaigning for president, who was one of those white liberal Democratic senators who tried to destroy Thomas and failed. The climax is Thomas' confrontation with white Senate Democrats, liberals who sought to destroy him using unproven, uncorroborated allegations by Anita Hill that he was a sexual predator. As he was being excoriated in those hearings, Thomas was asked if he considered withdrawing his nomination. He said he'd rather die than withdraw. "Created Equal" is the story of the journey of a hero, of lost archetypes and lost faith, and of one man's descent into anger and violence. In his hatred of racism as a young man, Thomas quit the seminary and embraced the radical revolutionary left. He was later reborn in a renewed Catholic faith. At Yale Law School he became what he called a "fuzzy libertarian, " and ultimately a conservative. The documentary draws on his memoir "My Grandfather's Son. " He tells about living in a shack in Georgia as a boy, the smell of open sewers wafting around him, always hungry, later moving on to the soul-crushing slums of Savannah in the Jim Crow South. But he was saved when his mother turned Thomas and his brother over to their grandfather to raise. Myers Anderson was a stern, hardworking Roman Catholic, an unlettered man who memorized large swaths of the Bible. Upon meeting the boys, he told them that "the damn vacation is over. " The two words grandfather Anderson hated to hear were "I can't. " "Old Man Can't is dead, " he'd say. "I helped bury him. " I watched the film the other day and will watch it again. Yes, I became emotional. And yes, it caused me to weep. I will take my wife and sons to this film and see it again with them, and I ask everyone I know to see it. Washington Post film critic Ann Hornaday reviewed it, admitting she's not a Thomas fan, but she was fair enough to write this: "Thomas' life story is riveting, from its roots in the Gullah culture of coastal Georgia to intergenerational psychodrama worthy of the ancient Greeks. Although I hadn't changed my views of Thomas' opinions by the time the movie ended, I felt I at least understood the man and his contradictions far better than when it began. " What was especially jarring was to revisit the media attacks against Thomas for his opposition to liberal paternalism and policy: welfare dependency, forced busing and affirmative action. Thomas believed liberal social engineering hurt the very people it was supposed to help -- poor African Americans. As a black conservative, there was open season on him. Liberal journalist and former White House adviser Hodding Carter Jr. wrote this, and Thomas reads it with contempt. "As a southerner Mr. Thomas is surely familiar with those chicken-eating preachers, who gladly parroted the segregationist line, in exchange for a few crumbs from the white man's table. He's one of the few left in captivity. " Chicken-eating preachers? In captivity? Thomas pauses after reading that, and adds rather acidly, that "Not a single civil rights leader objected to this nakedly racist language. " The other day I interviewed the film's director, Michael Pack, on "The Chicago Way" podcast I co-host with WGN radio producer Jeff Carlin. "Justice Thomas was getting tired of being defined by his enemies -- by half-truths and outright falsehoods, " said Pack, a onetime liberal who turned conservative. "I researched his life. Didn't know much more than watching his contentious nominating hearings. "But I learned that he is a great American hero. And he has a great story, a classic American story, coming from really dire poverty to the highest court in the land, and it was a story I wanted to tell. " Thomas and his wife, Ginny, sat with Pack for 30 hours of interviews, reliving the pain inflicted upon them by Democratic Sens. Ted Kennedy and Biden. Rather than cower and withdraw, Thomas relied on the memory of his late grandfather. And against advice, he delivered his famous speech angrily declaring that what was happening to him was a nothing but a "high-tech lynching for uppity blacks. " As he relives those ugly days, you can see the hurt and anger hasn't left him. But why would it? Why would it ever leave him? If you've ever told yourself that diversity is important in America, then see this film about the price that is paid for true freedom of thought. To find out where it's playing, go to.
Our Judicial System needs to be completely independent of our government, one that serves the American people and our country, not the government.
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. runtime 105 Min. genres Documentary. Creator Rotimi Rainwater. country USA. I love everything on hiim.
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The statistics are scary: According to a recent study, nearly 4. 2 million kids live out on the streets due to heartbreaking reasons which Rainwater examines in his caring film, chronicling his six-year journey across 15 cities to grasp the breadth of the epidemic. One thing will be certain after tagging along that trip with him: Your eyesight will never skip over the homeless youth again. That is mostly thanks to Rainwater’s approachable prose — not a feat of filmmaking perhaps, but an absorbing act of compassion nevertheless. As a person who once was homeless himself (an experience that informed his 2013 narrative feature “Sugar”), Rainwater moves through “ Lost in America ” with hard-earned assurance, having an insider’s view into the suffering millions of kids encounter every day, with scores of them dying on a daily basis. (At the end of the film, the writer-director tells us for context that over the time it takes to watch his movie, one homeless youth passes away. ) He also receives generous amounts of help from the power of celebrity, as Tiffany Haddish, Jon Bon Jovi, Halle Berry, Sanaa Lathan, Miley Cyrus, Jewel and Rosario Dawson (the last two also being executive producers) appear throughout the film with insights and suggestions. While their words don’t add up to anything groundbreaking, their towering presence might just be what sells the film to the general public, both in theaters and on streaming platforms. Elsewhere, Rainwater demonstrates that he must have watched a few Michael Moore documentaries, walking away from them with effective ideas to send off waves of shock and distress among the audience. He applies them generously to his output — like Moore, Rainwater often narrates and over-explains his scenes, plugs himself into almost all the interviews and dramatizes the story’s transitions by emphasizing them through voiceover. He also stops random people on the street and puts them on the spot with their misinformation. (In one of those instances, he exposes an enormous public misconception around why young people live on the streets: many falsely seem to think it’s by choice or to do drugs. ) This overt hand-holding oversimplifies the material to a degree, but keeps us engaged. Still, some of the writer-director’s less-than-elegant artistic choices matter very little when the homeless kids themselves take over with their own stories, each marked with unspeakable trauma. Rainwater sees patterns in their history and smartly organizes his film around various groups of homeless teens: those failed by the dysfunctional foster care system (Haddish herself identifies as “a foster care survivor”), others preyed on by sex traffickers or rejected by families due to their sexual orientation, and so on. (More than 40% of all homeless kids are LGBTQ youth, figures inform. ) We meet the likes of Calub, a transgender boy unwelcome by his parents; Crystal, who shares her harrowing account of being chained and sold for sex; Makayla and Conner, a couple who experience a traumatic miscarriage and cruel treatment by the healthcare staff while out in the streets; and others that somberly recall heartbreaking accounts of rejection, abuse and even rape. While listening to the kids, Rainwater makes sure we see the humanity and future potential in each and every one, treating his subjects with the respect they deserve. For larger context, we also get a mini lesson on the history of homelessness in America, a phenomenon a lot more recent than most people might think. Armed with factual numbers and talking-head experts, Rainwater ties its upsurge back to the ’80s, when Gordon Gekko-esque greed became the society’s main value stream under the Reagan presidency. He then examines the contemporary government’s elongated inaction, while a few senators such as Vermont’s Patrick Leahy and North Dakota’s Heidi Heitkamp fight the good fight to curb the countrywide crisis. “Lost in America” offers us a chance to be a part of these efforts, too. No contribution is too small, Rainwater and his subjects remind us. Not even a minor act of kindness like giving a warm, welcoming smile to a kid who could use the dignifying acknowledgement.